A Quote by L'Wren Scott

I love a real-life, movie moment in living color. — © L'Wren Scott
I love a real-life, movie moment in living color.
The true color of life is the color of the body, the color of the covered red, the implicit and not explicit red of the living heart and the pulses. It is the modest color of the unpublished blood.
It's a movie, OK? I went to see GONE WITH THE WIND, but did I really believe there was a guy named Rhett Butler who said, "Frankly, my dear, I don't give a damn"? No. Movies need heroes and villains, and real life doesn't usually have heroes and villains. Real life has a lot of shades of gray, and moves have black and white even when they're in color.
Red has been praised for its nobility of the color of life. But the true color of life is not red. Red is the color of violence, or of life broken open, edited, and published. Or if red is indeed the color of life, it is so only on condition that it is not seen. Once fully visible, red is the color of life violated, and in the act of betrayal and of waste.
Learning to see love and to express that love is the purpose of living this life. What's real has love at its heart; the universe is constructed from love, and that love is very much tied to our power of attention and imagination.
Color is one of the great things in the world that makes life worth living to me and as I have come to think of painting it is my efforts to create an equivalent with paint color for the world, life as I see it.
And so you have a life that you are living only now, now and now and now, gone before you can speak of it, and you must be thankful for living day by day, moment by moment a life in the breath and pulse and living light of the present
When you call a game, it's almost like you're doing a three-hour movie and the production of it all, living in the moment in real time, the replays, all the intricacies that go into putting a game in a broadcast. It's not just 100 percent football.
When you make a movie, a dramatization based on the real experience of a living subject, you can't airbrush that away into to a perfect movie arc.
When you make a movie, a dramatization based on the real experience of a living subject, you cant airbrush that away into to a perfect movie arc.
In our life there is a single color, as on an artist's palette, which provides the meaning of life and art. It is the color of love.
Love is real, real is love, Love is feeling, feeling love, Love is wanting to be loved. Love is touch, touch is love, Love is reaching, reaching love, Love is asking to be loved. Love is you, You and me, Love is knowing, We can be. Love is free, free is love, Love is living, living love, Love is needing to be loved.
Living in the past or living in the future - those aren't real. The moment is now, and that's where safety and comfort and all that good stuff is.
While the impressionists make a table to give one particular moment and subordinate the life of the table to its resemblance to this moment, we synthesize every moment (time, place, form, color-tone) and thus build the table.
When I finish a movie, I don’t ever see the movie again. The moment I finish the color correction and the mix, I never seen any of my movies ever again. I just try to explore what I can learn from the experience and move on.
?Living in the moment means letting go of the past and not waiting for the future. It means living your life consciously, aware that each moment you breathe is a gift.
I feel like I'm still discovering my stage style, but I love - well, I'm not a huge color person onstage, but I am in real life.
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