A Quote by La'Porsha Renae
When people ask me a personal question, I answer it in a personal way. I can only speak from the footsteps and the shoes that I've walked in.
Related Quotes
I don't believe he had a responsibility to even answer that question - you have no responsibility to answer personal questions that people have no right to ask you.
My movies are painfully personal, but I'm never trying to let you know how personal they are. It's my job to make it be personal, and also to disguise that so only I or the people who know me know how personal it is. 'Kill Bill' is a very personal movie.
I can only speak from my personal journey and my personal struggles which are completely different from other individuals but if I can slightly help someone else understand themselves, then that's perfect. Because I only make music, there's so much emotion in the music itself that I hope people can tap into and feel the same way I feel when I listen to it.
When you go to a voice-based interaction, you can't tell people, 'Ask me this question and structure it in this way.' And if they ask a question, and you have a bad answer, first time, maybe they'll be okay with it. Third time, they're going to say, 'This is a complete waste of time. I'm going away.'
They - you know, when we walked in - when I walked in with the two white men that had carried me down - and they cursed me all the way down. They would ask me questions, and when I would try to answer, they would tell me to hush.
If you ask a living teacher a question, he will probably answer you. If you are puzzled by what he says, you can save yourself the trouble of thinking by asking him what he means. If, however, you ask a book a question, you must answer it yourself. In this respect a book is like nature or the world. When you question it, it answers you only to the extent that you do the work of thinking an analysis yourself.
Getting up for sadhana in the morning is a totally selfish act - for personal strength, for personal intuition, for personal sharpness, for personal discipline, and overall for absolute personal prosperity.
Why should it be difficult for someone to claim their personal reaction, especially in this time where we are only too happy to share our personal reactions about everything, no matter how trivial. Maybe the answer is conditioning. This is pure conjecture, but I think people go to museums to participate.
The reason I don't like interviews is that I seem to react violently to personal questions. If the questions are about the work, I try to answer them. When they are about me, I may answer or I may not, but even if I do, if the same question is asked tomorrow, the answer may be different.
Definitely, there is a sense in my writing that people now know me in a personal way. And to an extent, that's true because I write about very personal things, and I use the personal often to contextualize some of these sociopolitical issues that we're dealing with. And to an extent, they're right. They know something about me.
If someone looks genuinely interested and asks me a deeply personal question, I'll give the answer. I'm too open.
I think we live in slavery to fear. Most people don't have an answer to the death question and really don't even have a philosophy. That is a puzzle to me. I think even if I was not a Christian, I would want to at least have a personal solution to the death question. Otherwise, death is just a frightening thing.
I do have personal relationships with a lot of "fans," in quotations. I answer all my mail, I get emails from fans, and I try to answer them all. That's important to me, but occasionally there's the thing where people basically ask me to write book reports for them, and I don't have that kind of time. I feel like there's a certain sexism involved, like because I'm a woman I'm supposed to constantly be like giving to everybody.
Because history is only an aggregate of personal hostilities, personal prejudices, personal blindness and irrationality, there are times when we have to live against it.
The theme of the diary is always the personal, but it does not mean only a personal story: it means a personal relationship to all things and people. The personal, if it is deep enough, becomes universal, mythical, symbolic; I never generalize, intellectualise. I see, I hear, I feel. These are my primitive elements of discovery. Music, dance, poetry and painting are the channels for emotion. It is through them that experience penetrates our bloodstream.
People always come up to me and ask what the next 'big short' will be. The truth is I simply do not have an answer, and do not want to have an answer, to this question.
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