A Quote by Larry Hovis

Any competent actor could have done what I did. — © Larry Hovis
Any competent actor could have done what I did.
If I could be really competent, that goes such a long way toward things, because the majority of things are not competent. If I can be competent, and have moments of originality, that's all I would ask for.
What is competent? Who is it that can adjudicate what is competent or not competent? If the guys that are running the most important banks in our country aren't competent enough, well then, who is competent enough?
When I was younger, I was almost too afraid to admit that I wanted to be an actor. I didn't know any successful actors in Kenya, so I felt like I could get away with going to college to study film more easily than I could with saying, 'I want to be an actor.' That's what I did.
After I found that I had become an actor, slightly to my surprise, I did have some insecurity, and I did take some rather strange acting classes at a place called The Actor's Studio in London. I don't think they did me any good at all.
I didn't know any successful actors in Kenya, so I felt like I could get away with going to college to study film more easily than I could with saying, 'I want to be an actor.' That's what I did.
Werner Herzog, I knew him for so many years, when Fassbinder was at his highest moment. But we had a rule: An actor from Fassbinder could never work with an actor of Werner Herzog or Wim Wenders. Because if we would have done that, we would have been spies. 'Ah, you worked with Werner - how was it? How did he direct you?' I was Fassbinder's actor.
Werner Herzog, I knew him for so many years, when Fassbinder was at his highest moment. But we had a rule: An actor from Fassbinder could never work with an actor of Werner Herzog or Wim Wenders. Because if we would have done that, we would have been spies. "Ah, you worked with Werner - how was it? How did he direct you?" I was Fassbinder's actor.
I did not become an actor to earn money - that I could have done it in my village by becoming a farmer. I wanted to show my craft, which I am so passionate about.
It's only when a project or film doesn't work, that you think about what you could have done differently - whether you chose unwisely, or was there something in your application in that role, as an actor, as a director or as a producer, that you could have done better.
It's very easy to say, 'I could have done that,' after someone's done it. But I did it. You didn't. It didn't exist until I did it.
Sometimes I feel I have no idea what I'm doing as an actor. I just did a tape for the TV remake of 'The Rocky Horror Picture Show,' and I think it could be the worst thing I've ever done.
My performance at Rio gave me closure. I did my best and could not have done any more.
Hell begins the day that God grants you the vision to see all that you could have done, should have done, and would have done, but did not do.
Facts, at any rate, could not be kept hidden. They could be tracked down by inquiry, they could be squeezed out of you by torture. But if the object was not to stay alive but to stay human, what difference did it ultimately make? They could not alter your feelings, for that matter you could not alter them yourself, even if you wanted to. They could lay bare in the utmost detail everything that you had done or said or thought; but the inner heart, whose workings were mysterious even to yourself, remained impregnable.
I hate the ballplayer who says, 'I did everything I could have possibly done.' Because if you didn't win it all, you obviously didn't do everything you could have done.
When I was a model, I met someone. I don't want to name the person. But things did not go well. I was new and could not understand what was happening. But I have learnt my lesson. I will not date any actor for sure.
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