A Quote by Laura Carmichael

Id love to work in the States; Id love to work anywhere where you get a good script and a good part to play. But I do love British film as well. — © Laura Carmichael
Id love to work in the States; Id love to work anywhere where you get a good script and a good part to play. But I do love British film as well.
I'd love to work in the States; I'd love to work anywhere where you get a good script and a good part to play. But I do love British film as well.
John Carmack, who has become interested in focusing on things other than game development at id, has resigned from the studio. John’s work on id Tech 5 and the technology for the current development work at id is complete, and his departure will not affect any current projects. We are fortunate to have a brilliant group of programmers at id who worked with John and will carry on id’s tradition of making great games with cutting-edge technology. As colleagues of John for many years, we wish him well.
Id just love to have an audience and its the most fun in the world to get a new script every week and have the audience come in, and work with those actors.
Generally for red carpet, I love to relax first. I love to work out. I love to eat well, drink tons of water beforehand, so on the night of the red carpet I feel good and ready to go. I also love to get a good body scrub.
Id love to work with the people who really got the film industry going again through the 70s: Peter Weir, Bruce Beresford, Gillian Armstrong, Fred Schepisi.
Id love to have another film to go on to. Im in the mood to work. But I have to be patient, you know, to find that particular kind of project. Occasionally Ill write one myself if I can summon up the energy.
I worked with Cameron Crowe, and Id love to work with him again.
I would love to work with Salman. We have a great tuning so if we work together, it will be great fun. But till the time we don't get a good script, a script that excites both of us, we can't work together.
Theres different kinds of love, and Id never experienced that kind of totally platonic love. All the love Ive experienced has always been a kind of deal, and now, as I get older, I realise that theres this other love out there.
We've always had to bring some form of ID to vote. It's just that states have created new forms of ID that young folk and seniors and students and people of color, it makes it challenging to get.
I like to work in films, but I'd love to work in the technical side of film. I'd love to work with, say, Greg Nicotero [The Walking Dead] in kind of, like, special makeup effects. I'd probably say, "Good with clay and latex." Although I don't know what kind of job that'd get me.
I've been working on the screen right from childhood and am completely in love with my work. And this experience has taught me that ultimately, it's a good script, good work that matters, whether in Bollywood or in the South.
Not getting picked for the World Cup is my biggest regret, but it was out of my hands. Id love to have known if I was good enough.
Im a songwriter and Id love to make that a part of my career.
Id never really considered film. If Id thought about film more growing up, I probably would have changed my name. I had no concept of my name in lights.
But the repressed merges into the id as well, and is merely a part of it. The repressed is only cut off sharply from the ego by the resistances of repression; it can communicate with the ego through the id.
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