A Quote by Laura Dern

I'm interested in flawed protagonists. I was raised on them. — © Laura Dern
I'm interested in flawed protagonists. I was raised on them.
Having been raised by actors who love moral ambiguity and flawed protagonists, I feel like it's sort of in the blood to want to take it on.
I tend to always love material with flawed protagonists and morally ambiguous people.
I think it's great to be flawed. I am hugely flawed, and I like it this way. That's the fun of life. You fall, get up, make mistakes, learn from them, be human and be you.
Out of 10 projects I get sent, seven or eight are female protagonists, and that's not the only thing I'm interested in.
I'm a highly flawed individual, as we all are, and because I was raised by Jesuits, I'm constantly, 'What is it about me and what I can do to be better?'
Both villains and heroes are a bit boring, really, unless they're flawed and broken somehow. If they're not flawed and broken, then clearly they need to be broken and made flawed. That's what an author does if he or she has any dignity.
I'm always much more interested in flawed heroes than in perfect ones.
In the best stories, people are morally complex; they are flawed. We read them because the world is flawed, and we want to see it truthfully represented. And because it can be thrilling to be shocked and upset, and even to feel, for chilling moments, what it's like to be a bad person.
ABC's intelligently hilarious sitcom 'Modern Family' depicts a gay-male marriage in which both partners are refreshingly dimensional, believable human beings. The writers dare to make them flawed and thus fully delineated, but they're not flawed in the silly, stereotypical ways that once dominated such portrayals.
I am very interested in loyalty, even if the person to whom one is loyal is flawed, criminal, or otherwise in the wrong.
I'm not interested in making movies only with female protagonists. I think it's ridiculous to think that a female director can't direct men. That makes no sense to me.
Fiction is about human beings, first and foremost. (It's not impossible to write fiction with no human protagonists, but it's very hard to keep the reader interested ...)
There's a remarkable amount of sexism on TV. When male characters are flawed, they're interesting, deep and complex. But when female characters are flawed, they're just a mess. It's good to put more flawed but interesting female characters out there because it promotes equality.
Television is often out ahead on social issues. With film, we've only recently proved that one of the oldest misconceptions in the book is wrong, which is the idea that girls will see films with boys as protagonists, but boys won't see movies with girls as protagonists.
All my characters are quite relatable, as they are flawed, true, and honest. All of us are flawed; nobody is pure and pious.
I think we love watching people that are flawed because we're all flawed.
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