A Quote by Laura Mullen
If we take seriously the idea that the stories we want to hear shape the stories we can (and want to, and are allowed to) tell, then the canon emerges as something to examine very carefully.
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I want to have a lengthy career. I want to play interesting characters. I want to tell beautiful stories, complex stories, deep stories.
This is my life - I want to tell stories. There is something huge inside me that pushes me to tell stories, and tell stories for an audience and everybody.
I really want to do film, but I want to do the right film. The truth for me is that I'm really driven by stories. So there are stories I want to tell, and if it's a good story then I want to do it, whatever genre it is.
If you really want to seriously think about life, and therefore take painting very seriously... and take seriously the joys that it can bring to one, then you want to go to museums. You want to study the great of the past.
I don't want to tell sad stories about myself. We may not have had a lot to spend when I grew up, but my childhood was good. The public likes to hear a dramatic story. They want a star to rise, have a meltdown and then return to greatness. Very American.
I was told stories, we were all told stories as kids in Nigeria. We had to tell stories that would keep one another interested, and you weren't allowed to tell stories that everybody else knew. You had to dream up new ones.
You see, I was told stories, we were all told stories as kids in Nigeria. We had to tell stories that would keep one another interested, and you weren't allowed to tell stories that everybody else knew. You had to dream up new ones.
I want to tell beautiful stories. I know I want to tell stories that appeal to a large audience. I want to make movies that appeal to mass culture.
We, as producers, want to tell the best stories. We want to tell the stories that people will talk about.
I don't want to steal anybody's story. I very much want to use the stories that I hear to get lost in my mind, to tell a larger story.
At the end of the day, storytelling is actually very simple in its origin as long as there are people who want to tell stories and there are people who want to hear them.
The very act of story-telling, of arranging memory and invention according to the structure of the narrative, is by definition holy. We tell stories because we can't help it. We tell stories because we love to entertain and hope to edify. We tell stories because they fill the silence death imposes. We tell stories because they save us.
I want to tell good stories, real stories with a message and I want to play meaty characters that drive the story.
I want you to hear how I can tell stories. I want you to hear how I can make these records about these females and make them feel every way I can. I want you to feel my magic. I want you to respect me and my artistry.
I think Hollywood is so driven by money, the people who are making the decisions are not necessarily reflective of the melting pot, so what stories are you going to want to tell? You're going to want to tell stories about yourself.
Every woman should have a daughter to tell her stories to. Otherwise, the lessons learned are as useless as spare buttons from a discarded shirt. And all that is left is a fading name and the shape of a nose or the color of hair. The men who write the history books will tell you the stories of battles and conquests. But the women will tell you the stories of people's hearts.
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