A Quote by Laura van den Berg

Havana is a uniquely complicated city and contains a great many histories. — © Laura van den Berg
Havana is a uniquely complicated city and contains a great many histories.
I think that I've tried many times to get Cuba in my writings, especially Havana, which was once a great and fascinating city.
I was told before my first trip that no city in the world offered the dreams you could have sleeping in Havana. But nobody warned me that Havana also always feels like an exhausting nightmare that never quite fulfills the promise of what it's threatening you with.
Hugh Everett's work has been described by many people in terms of many worlds, the idea being that every one of the various alternative histories, branching histories, is assigned some sort of reality.
A city always contains more than any inhabitant can know, and a great city always makes the unknown and the possible spurs to the imagination.
Havana is one of the great cities of the world, sublimely tawdry yet stubbornly graceful, like tarnished chrome - a city, as a young Winston Churchill once wrote, where 'anything might happen.'
The notion that a human being should be constantly happy is a uniquely modern, uniquely American, uniquely destructive idea.
Many cities make music, but no city breathes music quite like Memphis. The songs and sounds that come from here are uniquely American.
Havana, for all its smells, sweat, crumbling walls, isolation, and difficult history, is the most romantic city in the world.
Cities have always offered anonymity, variety, and conjunction, qualities best basked in by walking: one does not have to go into the bakery or the fortune-teller's, only to know that one might. A city always contains more than any inhabitant can know, and a great city always makes the unknown and the possible spurs to the imagination.
I feel like Havana has always been such an amazing, cosmopolitan city that it makes sense that a lot of galleries will want to be present.
One of my favorite places I've visited is Havana, Cuba. On my way home from Costa Rica, I did a week in Havana. The colors, the music, the beautiful men and the cars! I love vintage and antique cars and own a couple myself.
Chicago's such a great city because it's got so many different brilliantly architecturally looking buildings, and you can really modify that city.
I have so many great friends, so many great memories, so many great pictures, so many great songs, so many great relationships with people. I definitely feel, for the last 15 years, that I spent my time very wisely. And that's a great thing to be able to look back at.
Havana is a source of great pride to the Cuban people.
In a sense, Open City is a kind of Wunderkammer, one of those little rooms assembled with bric-a-brac by Renaissance scholars. I don't mean it as a term of praise: these cabinets of curiousities contained specific sorts of objects - maps, skulls (as memento mori), works of art, stuffed animals, natural history samples, and books - and Open City actually contains many of the same sort of objects. So, I don't think it's as simple as literary inclusiveness.
It's important to me that there's not just one story told about our city. 'LSD' is an ode to Chicago, a song for the complicated love I have for my city.
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