A Quote by Laurence Fishburne
I work with my instincts. I don't have a process that I learned in an acting class whereby I break a script down or whereby I do a certain kind of research.
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To be honest, I never went to school for acting, and I never learned to break down a script. I took acting classes my whole life, but they never taught me anything about acting. They just taught me about myself.
I certainly learned how to break down a text at Princeton, which helps me break down a script - or at least that's the line I feed my parents when they start wondering where all that good money went.
I was in an acting class taught by Eric Morris, and Jack Nicholson was in the class. He wrote the script for 'Head', so all of us in the class got little tiny parts in the movie.
When I make a movie, I don't break it down and analyze it. I could but it would get in the way of doing a job - on instinct based on all the research we did going in. you want to trust yourself and your director and your acting partners in the circumstances you're shooting. I don't like to have any kind of overview.
What I think after reading the script and seeing where the story goes, I go with my instincts on the character. If my instincts are wrong the director and the producers will guide me in the right direction. That's just kind of how I take on any role, be it a fantasy movie or not.
When I was in college, it was on the recommendation of a friend of mine. He recommended that I take an acting class, and so I kind of did. I was very open to feedback and open to suggestions. I had a little bit of space in my schedule, and I guess, as the story goes, I went into an acting class, and I kind of got the bug for it.
I learned the process of this kind of acting, how things run, how chaotic it can be, and what kind of different muscles you have to flex.
I learned much more about acting from philosophy courses, psychology courses, history and anthropology than I ever learned in acting class.
Acting in particular is a fun job when you have a good script. I don't know about acting when you don't have a great script. I'm gonna say that's not a great job, it's kind of a dumb job. But when you have a good part in a good script, it's the best job, in a way.
I focus on the writing and let the rest of the process take care of itself. I've learned to trust my own instincts and I've also learned to take risks.
I don't want to do only movies that I'm in. I definitely want to start to branch out and do TV and stuff that I'm not in and really make a good run at it as a production. I'm probably going to take a break from acting after a little while because I've enjoyed the developmental process so much. It helps you as an actor to learn story and to learn how to really nurture a script and work with a writer so you're not sitting there having to write it yourself and give notes.
We rehearsed for a bit for an Indie film, which is kind of unusual, we had a week of rehearsals before we actually shot the films so we were able to really break down the script and kind of work through all of the improvisational things that he wanted to do, so he had a chance to really feel his way through before we actually shot it and I think that helped a lot.
I've learned about employee relations; I've learned about following your instinct. One of the biggest mistakes you can follow is not following your instincts, you know? A lot of times your instincts will tell you what to do if you have a good one. Now, if your instincts are terrible, then you ask for advice. But if you have good instincts, you definitely have to follow them, or else you regret them.
I'm not a big fan of training, at all. I really don't like it. I've done a few acting classes and I've just hated them. I think they train you to do something, and sometimes you might not be able to break out of it. Acting is lying, and lying is acting. So, I just prefer to read the script and do it my own way.
When I was in film school at USC, I wrote my thesis script about a woman on Wall Street - specifically a woman who used to work at Morgan Stanley, sort of based on her life. Through that process, I did some research.
A great trick that I learned having worked as a screenwriter for many years, the way screenwriters work, is they break the project down into three-act structure: Act 1, Act 2, Act 3. I think that is a great way to break down any project, whether it's a new business or anything at all.
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