A Quote by L. E. Modesitt, Jr.

When I was in my late twenties, a friend suggested that, since I was an avid SF reader and had been since I was barely a teenager, that since it didn't look like the poetry was going where I wanted, I might try writing a science fiction story. I did, and the first story I ever wrote was 'The Great American Economy.'
I have known I wanted to be a writer since I was seven-years-old. Seriously. In the second grade I wrote a 21-page story and handed it in to my teacher. She told my mother I was going to be a writer. Since then, I always kept a journal and wrote poetry, plays, stories.
In my twenties and early thirties, I wrote three novels, but beginning in my late thirties, I wearied of the mechanics of fiction writing, got interested in collage nonfiction, and have been writing literary collage ever since.
I have been an avid reader since my youth. Because I also liked to play tabletop games, I soon felt the desire to make the story narrated in a book or an aspect of that story come alive in a game.
I've always been a science fiction fan since I had understood the conception of what a story was.
I've been writing since I was sixteen. At first, I wrote mostly short stories and poetry. The first thing I ever had published was a poem about a football game. It was printed in my local newspaper.
I've always known when I start a story what the last line is. It's always been the case, since the first story I ever wrote. I don't know how it's going to get there, but I seem to need the destination. I need to know where I end up. It never changes, ever.
I was only eight when Sputnik was launched, and at that age the boundary between science and fiction is pretty blurry. Whichever way the process ran, I've been a fan of science and SF ever since.
I have been an avid reader of 'Golf Digest' ever since I started playing this great game.
'Sunset Boulevard' - the story of Hollywood movies draped on a depressing sex affair - is an uncompromising study of American decadence displaying a sad, worn, methodical beauty few films have had since the late twenties.
Sunset Boulevard' - the story of Hollywood movies draped on a depressing sex affair - is an uncompromising study of American decadence displaying a sad, worn, methodical beauty few films have had since the late twenties.
I've never really been on a date, because I've been with the same girl since my early twenties, but on our first date, I showed her The Texas Chain Saw Massacre. I was like, "Hey, you've got to see this!" And we've been together ever since.
It's been the same story ever since I can remember, ever since Wilson - the Republicans don't do a thing for the little man.
The highlight of my career was my first sale, to F&SF, in 1989. Nothing yet has topped that moment. I was weeping in joy and relief. Publishing one story was all that I ever wanted, or expected. Everything since then - award nominations, getting into best-of anthologies, meeting my idols at conventions, drinking with my idols at conventions - has been wonderful, but it's all gravy.
As a working musician, your first instinct is to try and do your job. It wasn't always my aspiration to sing; I just wanted to be a great working musician. But then Flying Lotus suggested I try, and nothing has ever been the same since.
I don’t distinguish between magic and art. When I got into magic, I realised I had been doing it all along, ever since I wrote my first pathetic story or poem when I was twelve or whatever. This has all been my magic, my way of dealing with it.
I've been writing songs since I was like six or seven. I've been writing poetry and short stories and stuff, but my first serious, serious song, I wrote when I was fourteen.
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