Sloane Crosley and David Sedaris are two of my favorite writers; they're the kind of writers who make you feel like, 'I can do this. I want to do this.'
I heard David Sedaris read live recently which was a complete delight. Few writers make me laugh out loud on the bus. He does.
I have so many favorite writers, it's very hard to select a few... of classic writers, I have always admired Emily Dickinson and Henry David Thoreau.
That 'writers write' is meant to be self-evident. People like to say it. I find it is hardly ever true. Writers drink. Writers rant. Writers phone. Writers sleep. I have met very few writers who write at all.
I feel like the writers that I'm drawn to, the writers that I really cling to, are the writers who seem to be writing out of a desperate act. It's like their writing is part of a survival kit. Those are the writers that I just absolutely cherish and carry with me everywhere I go.
I felt like my favorite writers have almost musical hooks in their work, whether it's poetry or a hook at the end of a chapter that makes you want to read the next one. And I think that my favorite writers definitely have something musical about what they do, in saying something so relatable and universal and so simple.
I know a lot of crime writers feel very underrated, like they're not taken seriously, and they want to be just thought of as writers rather than ghettoised as crime writers, but I love being thought of firmly as a crime writer.
There are writers I return to no matter what I'm working on, writers like the South African J.M. Coetzee. He has an ability to make you feel that he is writing for you alone.
Writers - all writers, even screenwriters - like to make their mark. I don't think many screenwriters can write. They pass as writers.
Many people who want to be writers don't really want to be writers. They want to have been writers. They wish they had a book in print.
That's what I've always wanted to do - work with my favorite writers and make something from scratch with them that we can feel like didn't exist before we came in the room.
Let's stop reflexively comparing Chinese writers to Chinese writers, Indian writers to Indian writers, black writers to black writers. Let's focus on the writing itself: the characters, the language, the narrative style.
My favorite writers are all Jews - David, Solomon, Matthew, Mark - well, you get the picture.
Lawyers, doctors, plumbers, they all made the money. Writers? Writers starved. Writers suicided. Writers went mad.
There's still only maybe three female writers or two female writers to 10 guys in any kind of writer's room.
I kind of feel like the job of actors and writers and people who make television and movies is to keep people company. In whatever modest way I'm able to accomplish that, I want to.
Writers such as Richard Powers and the late David Foster Wallace have shown the path to a newer generation of writers for whom all national boundaries are quaint curiosities.