A Quote by Lee Isaac Chung

Ingrid Bergman in 'Journey to Italy' just goes off and looks at things for most of the film. — © Lee Isaac Chung
Ingrid Bergman in 'Journey to Italy' just goes off and looks at things for most of the film.
If a face like Ingrid Bergman's looks at you as though you're adorable, everybody does. You don't have to act very much.
(On Ingrid Bergman) "I didn't do anything I've never done before, but when the camera moves in on that Bergman face, and she's saying she loves you, it would make anybody feel romantic."
it's just that I see love as odd as wearing shoes-- I never wanted to marry a girl who was like my mother And Ingrid Bergman was always impossible
I think that the romantic suspense that you used to get between people like Ingrid Bergman and Cary Grant is much sexier than seeing people taking their clothes off and getting into bed, which is voyeurism.
Ingrid Bergman speaks five languages and can’t act in any of them.
I loved Ingrid Bergman. I sat and saw her on the stage in a theater in the round.
Ingrid Bergman made an enormous impression on me. I couldn't imagine where that kind of acting talent came from.
The vengeful hag is played by Ingrid Bergman, which is like casting Eleanor Roosevelt as Lizzie Borden.
An Ingmar Bergman film would probably owe a sizeable bulk of its import and its direction and its quality to the directorial end and to the director because it's uniquely a Bergman film. But that again is not the general - no, that's much more the exception than the rule.
'Chhichhore' is not just a story, it is a journey that everyone goes through. The film showcases some of the most beautiful years of one's life, where friends become family and stay with you till you age.
My mother loved films! She adored Ingrid Bergman, Joan Fontaine, Vivien Leigh. We couldn't afford to go together to the cinema, but she was always watching their movies on TV.
I modeled myself after Deborah Kerr for her romantic, untouched quality; Ingrid Bergman for her strength; and Kay Kendall for her wonderful sense of humor.
There are only seven movie stars in the world whose name alone will induce American bankers to lend money for movie productions, and the only woman on the list is Ingrid Bergman.
I watched as Humphrey Bogart’s character used beans as a metaphor for the relative unimportance in the wider world of his relationship with Ingrid Bergman’s character, and chose logic and decency ahead of his selfish emotional desires. The quandary and resulting decision made for an engrossing film. But this was not what people cried about. They were in love and could not be together. I repeated this statement to myself, trying to force an emotional reaction. I couldn’t. I didn’t care. I had enough problems of my own.
Maybe the best example of the unmuscled hero is Humphrey Bogart in 'Casablanca.' Bogart was 15 years older than Ingrid Bergman, and it did not matter at all. He had the experience, the confidence, the internal strength that can only come with age.
It's one of the most beautiful things in the world, to go off and make a film. At the heart of it, making a film - it's pretend. It's a silly thing to do. But it can be important, and to have that experience with people you love is one of the best things you can do.
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