A Quote by Leigh-Anne Pinnock

It's not easy being a female in the U.K. pop industry. We've seen the white male dominance, misogyny, sexism and lack of diversity. — © Leigh-Anne Pinnock
It's not easy being a female in the U.K. pop industry. We've seen the white male dominance, misogyny, sexism and lack of diversity.
The lack of racial diversity and gender diversity and the lack of female directors - those are not fashionable issues. And they're not issues that reside solely within the film industry.
The teabagger thing and the right-wing thing - they pick easy targets, and a female in the entertainment industry is low-hanging fruit. It's very easy to mock and marginalize people in general who are in the entertainment industry, for some reason. But then definitely there's the double standard and the misogyny that goes through it as well.
There's still sexism in the world, so there's still sexism in publishing and in graduate school. But it is different. Now, it's more coded and harder to detect. It was more explicit when I was in school. There were no rules against male professors asking out female students. The reverse didn't happen since female professors were rare or nonexistent. Visiting writers came, 90% of them male, and some expected that a female student would materialize as his date for the visit.
Sexism is real and it persists in film and television. I've seen female directors openly undermined by male cinematographers in front of the entire crew
There were so many different factions and that's I think what my father was taking issue with was the idea of, look, you can't go from male dominance to female dominance and expect anything to be better. We're all shits, ultimately, and we've got to do the best we can together.
There are also people that still choose to support racist rhetoric because they feel white dominance in America is slipping through their fingers. To them, "diversity" is a codeword for white genocide. They claim that their "homelands" are being overrun by minorities and are desperate for solutions that ensure their "white survival." This fear, of course, is irrational and solely based on a loss of white power and control.
Most of the pop videos I've seen that have any male/female interaction are usually centered around a romance - and that's great, I am all for romance. But let's face it, there are a lot of other sexualities and identities that are well-deserving of some shiny pop video love.
In ancient times, people weren't just male or female, but one of three types: male/male, male/female, female/female. In other words, each person was made out of the components of two people. Everyone was happy with this arrangement and never really gave it much a thought. But then God took a knife and cut everybody in half, right down the middle. So after that the world was divided just into male and female, the upshot being that people spend their time running around trying to locate their missing other half.
In the chapter called "On Being a Woman in Politics," we have to come to grips with the endemic sexism and misogyny. Of course, it's not just in politics. It's in business. We have seen a lot of that coming out of Silicon Valley, and it's in the media, it's in culture. We know that.
Obviously, the issue for the Left isn't aging white males; it is conservatives, whether they are young or old, white or nonwhite, male or female. If female aborigines were conservative, the Left would have a problem with female aborigines.
Yes. The original argument is defective. Substitute the word 'male' for 'gay,' and you'll see the flaw: 'Male people cannot be normal. If everyone were male starting tomorrow, the human race would die out, so being male cannot be nature's intended way.' Or you could substitute the word 'female.' In either case, the argument makes no sense: Being male or female is perfectly normal.
Each of us, helplessly and forever, contains the other - male in female, female in male, white in black, and black in white. We are part of each other. Many of my countrymen appear to find this fact exceedingly inconvenient and even unfair, and so, very often, do I. But none of us can do anything about it.
A Christian woman's true freedom lies on the other side of a very small gate...humble obedience...but that gate leads out into a largeness of life undreamed of by the liberators of the world, to a place where the God-given differentiation between the sexes is not obfuscated but celebrated, where our inequalities are seen as essential to the image of God, for it is in male and female, in male as male and female as female, not as two identical and interchangeable halves, that the image is manifested.
I don't really find it to be a man-dominated industry. I mean, I guess when you look at it, it is, but I don't really look at it as a female or male thing, or female or male guitar players or whatever.
There's a lack of diversity amongst executives in the position of greenlighting a film who feel that their stories are being told. If there's a diversity at the executive level, then we'll have diversity of the storytelling process.
Whatever Scotland was, it was not a matriarchy; whereas the United States was a profoundly matriarchal society - and much more feminine than would be suggested by all that male bravado. That was a front, and a misleading one at that; underneath the male swagger lay a passive acceptance of female dominance - a fact not always appreciated by outsiders.
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