A Quote by Leila Aboulela
When you write about a Muslim woman, like I did with my previous novels - 'Minaret', for example, which is about a woman who starts to wear the hijab - it sets all the alarm bells ringing.
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I get to say I was alive when the first Palestinian woman went to Congress. I was alive when the first Somali woman, in a hijab, who's black and Muslim - she's literally an immigrant, a refugee, black and Muslim and a woman and progressive.
The hijab or a variation of the word shows up eight times in the Quran. And it never means headscarf. And so what's happened is that the identity of a Muslim woman especially is being equated to this piece of cloth on her head. And in that ideology there's a very fundamental assumption that people need to think very deeply about, which is do you believe that a woman is too sexy for her hair?
Flying while Muslim is nerve-racking in itself. Every time I prepare to fly, I have to make sure the anxiety I feel from all the stares I get from the moment I walk into the airport doesn't show on my face. This is what every woman in a hijab or bearded Muslim man experiences. But we are not alone: Sikh men who wear a turban experience the same anxiety because they encounter Islamophobia by dint of being perceived as Muslim.
I'm Muslim. I'm Palestinian. I'm a woman in a hijab.
We heard from a professor at an evangelical college who wore a hijab in solidarity with Muslim women. Now we have a different perspective. Asra Nomani co-wrote an op-ed in The Washington Post titled in part "As Muslim Women, We Actually Ask You Not To Wear The Hijab."
I was born in 1965. When I grew up in India, there was no expectation that a good Muslim woman wore the headscarf. But what happened when I came here to the U.S. and the emergence of the Saudi and Iranian theologies in the world is that the headscarf became the hijab and the hijab is now the idea that is synonymous with headscarf.
As a Muslim woman, I'm all too familiar with the media shorthand for 'Muslim' and 'woman' equaling Covered in Black Muslim Woman. She's seen, never heard. Visible only in her invisibility under that black burka, niqab, chador, etc.
I think it's dangerous to look at every Muslim woman the same and to assume that every experience within the religion is the same, meaning that there are going to be strong and assertive women that are Muslim. There's going to be a more passive woman who just so happens to be a Muslim. There may be a funny, big-personality woman and she's Muslim.
Even if it doesn't fit the woman, like, let's say a very short skirt, and the woman doesn't have the legs or the height to wear the skirt, but she has to wear it because it's fashionable. Don't do it! If it doesn't look good on you, don't worry about it.
I write novels about women, except for one: 'Rococo', about a man, a New Jersey decorator. But even that book had a woman on the cover.
I wanted Bow's hair and makeup and clothing to look like a woman who has four children, a career, and a full life. For example, she won't wear eyeshadow unless she's going out. Because it takes a lot of time to put eyeshadow on. She's a woman who has style, but it's all about functionality - she grabs stuff from her closet.
I found that a whole series of people opposed me simply on the grounds that I was a woman. The clerics took to the mosque saying that Pakistan had thrown itself outside the Muslim world and the Muslim umar by voting for a woman, that a woman had usurped a man's place in the Islamic society.
Global climate change needs global action now. The alarm bells ought to be ringing in every capital of the world.
I think there's a false division people sometimes make in describing literary novels, where there are people who write systems novels, or novels of ideas, and there are people who write about emotional things in which the movement is character driven. But no good novels are divisible in that way.
I was tormented by my desire for a woman ... I thought so much about a woman, about women, about all the ones I had known, about all the circumstances in which I had enjoyed them, that my cell would be filled with their faces and crowded with my desires.
Going to space was a moment that people think was my Mount Everest, but it's not. I have so many Mount Everests. This just happens to be one of them. It has changed the way I approach things. I realize it's not about me; it's about what I did and about the person we had as a Canadian woman in space. I look at pictures of myself and say, 'That's the woman who did it'.
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