A Quote by Leland Bell

I want the shuffles and echoes, and a certain mysteriousness... It's so bloody hard to paint. — © Leland Bell
I want the shuffles and echoes, and a certain mysteriousness... It's so bloody hard to paint.

Quote Author

Me, I want to bloody kick this moronic bloody world in the bloody teeth over and over till it bloody understands that not hurting people is ten bloody thousand times more bloody important than being right.
Looking forward into an empty year strikes one with a certain awe, because one finds therein no recognition. The years behind have a friendly aspect, and they are warmed by the fires we have kindled, and all their echoes are the echoes of our own voices.
I said, I don't want to paint things like Picasso's women and Matisse's odalisques lying on couches with pillows. I don't want to paint people. I want to paint something I have never seen before. I don't want to make what I'm looking at. I want the fragments.
If you're a young woman in Hollywood, then they want you to look a certain way and paint you in this and that. To this day, it's hard to find people like us, who want to kind of find deep truths, not just skirt above the top of it.
I'm just tired of everything…even of the echoes. There is nothing in my life but echoes…echoes of lost hopes and dreams and joys. They're beautiful and mocking.
It takes a certain amount of intelligence and imagination to realize the extraordinary queerness and mysteriousness of the world in which we live.
I don't know any musician who got to the top without hard work. Take whoever you want. They all work bloody hard, harder than you think.
Most people read poetry listening for echoes because the echoes are familiar to them. They wade through it the way a boy wades through water, feeling with his toes for the bottom: The echoes are the bottom.
People want nothing but mirrors around them. To reflect them while they’re reflecting too ... Reflections of reflections and echoes of echoes. No beginning and no end. No center and no purpose.
If I were a painter, I would paint beautiful bodies - I would paint nipples, and I would paint Bibles. Am I going to say, 'I'm not going to paint this woman's neck because people will think I just want to lick on necks?' Please! That's not what art is about.
If you're a young woman in Hollywood, then they want you to look a certain way and paint you in this and that.
My uniform is sweatpants, so crusted over with dried paint that they're as hard as a table. I wear T-shirts that are also covered in paint, and Crocs.
There are certain people I do want to absolutely dislike me. And I want them to paint me as their enemy. Because I want nothing to do with them.
Of course you will say that I ought to be practical and ought to try and paint the way they want me to paint. Well, I will tell you a secret. I have tried and I have tried very hard, but I can't do it. I just can't do it! And that is why I am just a little crazy.
A revolution is bloody, but America is in a unique position. She's the only country in history in a position actually to become involved in a bloodless revolution. The Russian revolution was bloody, Chinese revolution was bloody, French revolution was bloody, Cuban revolution was bloody, and there was nothing more bloody then the American Revolution. But today this country can become involved in a revolution that won't take bloodshed. All she's got to do is give the black man in this country everything that's due him, everything.
My sin as a painter is that I just want to paint anything I want to paint - and repaint.
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