A Quote by Len Wiseman

I'm not a crazy horror fan. At that time i wasn't really looking to do something like that. But I thought to put a twist on it to put a werewolf versus vampire... 'What's the best opponent for a werewolf?' Became the idea of vampires and what about putting those two together? And ultimately it got turned down. But we loved the idea and shopped it around.
One time I completely thought I'd turned into a werewolf and was sure I could see hairs sprouting from my face. At those times I'd suddenly go very quiet and not talk to anyone, stunned from the developments, being a werewolf and all.
A lot of people don't put the numbers together correctly. But Underworld, honestly, the way it came about - the real way it came about - I took a meeting with Dimension, and they were looking to do just a werewolf movie, and I wasn't too interested in doing just a werewolf movie.
Aaron Spelling was a huge fan of vampires, and everything in that genre. He just really loved the entire subject of vampires and he was really passionate about it. If you really like the idea of this other world and the intricacies of it, because there were a lot of them, and once you're hooked, it's always something that's a fascination to you.
I imagined calling in to my own radio show: Yeah hi, I'm a werewolf, and I'm stuck in a cabin in the woods with another werewolf and a werewolf hunter.
There are two ways to write a werewolf novel - you can examine the genre conventions, or you can say, 'What would it be like if I were a werewolf?'
I was not a vampire or werewolf fan at all. I'd never even heard of the series. I auditioned for the role, and as soon as I got it, I started reading the books. I'm not a reader, but I really did get hooked on them.
'Interview with a Vampire' is my all-time favorite. I also loved 'An American Werewolf in London.'
'Paycheck,' I thought, was a really, really good idea. I never got an opportunity, unfortunately, to read the novel, but I loved the idea of how to deal with intellectual properties. I just don't know that we necessarily got to the heart of that particular idea. I think it became more of a chase movie than anything else.
It turns out that I've become a pretty good werewolf actor. I'm going to have to try to get myself into a different position, at some point in the future, but I'll take werewolf. Werewolf is pretty damn fun to play.
On 'Death Valley,' I fought this werewolf, and he was picking me up and slamming me down. They put padding down in the garbage so he could really slam me down. They're flying around and I'm doing these jumping flying triangles pulling the guy down. It's just fun.
On Death Valley, I fought this werewolf, and he was picking me up and slamming me down. They put padding down in the garbage so he could really slam me down. They're flying around and I'm doing these jumping flying triangles pulling the guy down. It's just fun.
I think American Werewolf in London is the greatest werewolf movie of all time.
There is a young fella who works for me, named Brian Unkeless, who's very smart. We're a very small company that has been Brian and me and two assistants, although we're growing a little bit now. He read the [The Hunger Games] book and loved it, and told me I should read it. He had been a fan of the Gregor books. So, I read it and couldn't put it down and couldn't stop thinking about it. I really became obsessed with the thought of producing it, and was completely bothered by the idea that anybody but me could produce it.
I'm a werewolf trapped in a human body." "Well, yeah, that's kind of the definition." "No, really. I'm trapped." "Oh? When was the last time you shape-shifted?" "That's just it - I've never shape-shifted." "So you're not really a werewolf." "Not yet. But I was meant to be one, I just know it. How do I get a werewolf to attack me?" Stand in the middle of a forest under a full moon with a raw steak tied to your face, holding a sign that says, 'Eat me; I'm stupid'?
Well, this is shortly after the idea was put to me because it wasn't my idea to do a Christmas record. We can talk about that a little bit, if you like, later on. But I wrote that song actually about two days after the idea was put to me.
We had lunch that day [with Chris Ellis], and I was talking about this idea. I toyed with it a little bit on Twitter in story form at one point. And he thought it was a great idea, and he thought, "Well, let's bring my friend Harry Hannigan in, who's a wonderful writer, and let's see if we can put something together."
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