A Quote by Lena Dunham

I'm so proud of Jason's [Benjamin] work. I can say this and he can't, but there's no group of documentary subjects more devoted to their documentarian. The vibes are really positive, and I feel so lucky.
I feel very lucky that I've chosen to work in a style that is based on good vibes, and you tend to get good vibes in return. But I don't take it for granted. It was a choice.
I'm so proud of myself. I thought, 'I've got to learn about American history.' I literally took two months off and watched every documentary known to man. I really didn't know Benjamin Franklin was so cool.
I would say I think Jason is going to lose and Freddy will win. I don't know why. I just feel that Freddy is more maniacal and thinks more than Jason does.
I'm a lucky, lucky man. I mean, the people I surround myself with are so inspiration. They're so motivational and they're so dynamic and positive. You really can't stop that positive force when everything and everyone around you is so positive.
To the documentary director the appearance of things and people is only superficial. It is the meaning behind the thing and the significance underlying the person that occupy his attention... Documentary approach to cinema differs from that of story-film not in its disregard for craftsman-ship, but in the purpose to which that craftsmanship is put. Documentary is a trade just as carpentry or pot-making. The pot-maker makes pots, and the documentarian documentaries.
I am lucky because I get to work with the smartest, most creative, and most devoted group of students and postdoctoral fellows imaginable.
You kind of form a bond with your subjects, in a way. You're in it together. To a degree that people don't realize, documentary films - or at least the kind of documentary films I'm interested in - are a collaborative undertaking with the subjects.
My mom said it's always positive vibes. I love good vibes, and that's what I get off people all of the time. That's what I want to give out to other people is those vibes and to have hope and dreams and to build that confidence and be encouraged to do whatever they want in life if they put their mind to it.
I'm proud that I've even had a career, but 'proud' isn't the first word I'd use. I feel lucky that I moved to Manchester when I was 12 because I don't think I could have done this in Ireland. And I feel lucky that the government took care of me from the age of 16 to when I signed my first record deal at 19.
I can't emphasize more to you that I had the luxury, the privilege of living up here in Vancouver. I feel like I'm on vacation, and I get to work, as well. I don't think I need a vacation after working. I'd just like to really look with a positive outlook in being here in such a beautiful city. I really am feeling lucky on the days off that I have, that I'm here on vacation in Vancouver, British Columbia.
My Mom and Dad did it pretty good, so I know it can work. The foremost thing I would say about working with Robin and Sean is that they were devoted to this project and devoted to their characters. You can't ask for any more from talented actors like that.
Neo-soul caught my attention more than any other sub-genre. I was really attracted by that sound. It made me do what I do musically: trying to find the same type of vibes, those nostalgic vibes.
Being proud of something is a very tricky word and I sometimes think it has a bad connotation. I don't feel proud, I feel grateful. I'm lucky.
The great documentary subjects find you, you don't really search for them.
When you say documentary, you have to have a sophisticated ear to receive that word. It should be documentary style, because documentary is police photography of a scene and a murder ... that's a real document. You see, art is really useless, and a document has use. And therefore, art is never a document, but it can adopt that style. I do it. I'm called a documentary photographer. But that presupposes a quite subtle knowledge of this distinction.
Not to speak for Jason [Benjamin], but he's a straight married dude with two kids.
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