A Quote by Lenny Bruce

Today's comedian has a cross to bear that he built himself. A comedian of the older generation did an act and he told the audience, This is my act. Today's comic is not doing an act. The audience assumes he's telling the truth. What is truth today may be a damn lie next week.
What is truth today may be a damn lie next week.
An offended audience member repeating a comedian's act from memory is worse than, literally, anything.
Why do you act? You act for an audience. In the theatre, you're in their presence. Film stars don't know what it is to have an audience.
I don't know any comedian who tailors his act to his audience. Maybe people say they do, but I can't even imagine them.
Today I would say, 'I am against plastic surgery.' It's a grave act. An act that touches our soul. It was frightening.
Our audience for SCTV was older than today's moviegoers, and with the cost of making movies being what it is today, it's hard for the studios to take the kind of risks we took.
Versatility is the key today. We have a smart audience today; if you keep doing same stuff, nobody is going to watch you.
Because you're telling a story, and I'm sure people fifty years ago would tell the same story differently if they were telling it to you today. Because the time is different. The film is the work of today's audience.
I will say there is only one caveat as far as 'Logan' goes: I got to the end and went, 'OK, what happens next?' To me, as an audience member, damn. If you can get to the end of the third act of a trilogy and your reaction is 'what the hell happens next,' someone did their job incredibly.
To tell the truth is an act of love. To withhold the truth is an act of hate. Or worse, apathy.
Making dances is an act of progress; it is an act of growth, an act of music, an act of teaching, an act of celebration, an act of joy.
It is remarkable how liberating it feels to be able to see that your thoughts are just thoughts and that they are not 'you' or 'reality.' For instance, if you have the thought that you have to get a certain number of things done today and you don't recognize it as a thought but act as if it's the 'the truth,' then you have created a reality in that moment in which you really believe that those things must all be done today.
You know, women are acting the way they want to act now. Years ago they would hide it in the way they dressed, the way they speak, even the way they act in bed. Today, they're doing the same thing, but they're dressing the way they want to be treated and, when you're with them, acting the way they want to act. And you know, honesty is the best policy. I love that.
To create today is to create dangerously. Any publication is an act, and that act exposes one to the passions of an age that forgives nothing.
When I go in front of an audience, I'll admit I sometimes have a certain amount of fear in me, because maybe the people are not going to accept what I'm doing today. That's bad for any artist, especially if what you're doing is not in line with what's happening today.
The Saint whose water can light lamps, the clairvoyant whose lapse in recall is the breath of God, the true paranoid for whom all is organized in spheres joyful or threatening about the central pulse of himself, the dreamer whose puns probe ancient fetid shafts and tunnels of truth all act in the same special relevance to the word, or whatever it is the word is there, buffering, to protect us from. The act of metaphor than was a thrust at truth and a lie, depending where you were: inside, safe or outside, lost.
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