A Quote by Leon Uris
A novelist must know what his last chapter is going to say and one way or another work toward that last chapter. ... To me it is utterly basic, yet it seems like it's a great secret.
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I worked with a writer, Kathleen Boyce. It was a wonderful experience...but I didn't expect that the last chapter would be the last chapter of Donna Karan. That was probably the biggest shock.
That's a chapter - the last chapter - of the 20th ... 20th ... the 21st century that most of us would rather forget. The last chapter of the 20th century. This is the first chapter of the 21st century.
I think 'Sex and the City' is a chapter that will never close. In a wonderful way, it's always going to be an open chapter because it seems like new generations discover the show and relate to it, which is amazing, and you can't hope for that.
The idea was that we would decide the order when we looked at the proofs. I remember Brion Gysin saying "Well, why change it? It's perfect the way it is, the way it came from the printer." Made one major change, that is, the first chapter that came from the printers, which would be the beginning, we moved to the end. The first chapter became the last chapter. There's no actual cutups in Naked Lunch.
I never wanted to do the mixtape circuit and 300,000 people hear it and that's a chapter of my life and when I do another album I'm coming off of that chapter but the whole world didn't hear that chapter so it's like I would have to start over.
If you say in the first chapter that there is a rifle hanging on the wall, in the second or third chapter it absolutely must go off. If it's not going to be fired, it shouldn't be hanging there.
I did, one time, over the past couple years look into maybe doing a little something in a Royal Rumble, just kind of as that, so that could be my last chapter, so the last time you see me is, y'know, this little thing, and it didn't work out.
All their life in this world and all their adventures had only been the cover and the title page: now at last they were beginning Chapter One of the Great Story which no one on earth has read: which goes on for ever: in which every chapter is better than the one before.
I'm very much inclined to be a next-chapter guy instead of a last-chapter guy.
The novelist in me is probably hiding behind all the stories I write, looking for ways to connect them and continue the conversation with readers. Maybe I'm writing one long narrative, and each book, however different from the last, is just a chapter.
I'm a great planner, so before I ever write chapter 1, I work out what happens in every chapter and who the characters are. I usually spend a year on the outline.
Well I never play back my music, just so you know, it's there sitting in my drawers and what I remember is that, what I can say is that there are steps, you know, moments in my life where I know that one score was a new chapter. I can say that 'Read My Lips,' by Jacques Audiard, 'Sur Mes Levres' was a chapter.
If God is an author and the universe is the biggest novel ever written, I may feel as if I'm the lead character in the story, but like every man and woman on Earth, I am a suporting player in one of billions of subplots. You know what happens to supporting players. Too often they are killed off in chapter 3, or in chapter 10, or in chapter 35. A supporting player always has to be looking over his shoulder.
The first paragraph of my book must get me my reader. The last paragraph of a chapter must compel my reader to turn the page. The last paragraph of my book must ensure that my reader looks out for my next book.
If Mother Culture were to give an account of human history using these terms, it would go something like this: ' The Leavers were chapter one of human history -- a long and uneventful chapter. Their chapter of human history ended about ten thousand years ago with the birth of agriculture in the Near East. This event marked the beginning of chapter two, the chapter of the Takers. It's true there are still Leavers living in the world, but these are anachronisms, fossils -- people living in the past, people who just don't realize that their chapter of human history is over. '
I think our shepherds, our pastors, can take for instance, Chapter Four [of Amoris Laetitia], 'Vive l'amore' ('How to live love'). It's a great catechesis. You can take it chapter by chapter, passage by passage, and work through it in the parish, in the communities. It's a great catechesis on marital and familial love. And I think as pastors, we can use this for our pastoral work.
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