A Quote by Leslie Jordan

I had that perfect deadpan ... for these commercials. Within the first eight months I had eight national TV commercials. I'm a true Hollywood success story - knew no one, had no connections.
I'm a true Hollywood success story - knew no one, had no connections.
Have you seen the tremendous success we've had in the Middle East with the ISIS? When current Iraqi Prime Minister Haider al Abadi left from Iraq, he said "Trump has more success in eight weeks than Obama had in eight years". ... We have had tremendous success, but we don't talk about it. We don't talk about it.
The rule was, the kids in this agency had to do 15 commercials or something before they sent them out on a theatrical audition, for a television show. And I had only done two commercials.
I was eight years old when I knew I wanted to be an actress. I slowly started by getting into commercials, and then I was an extra on a TV show. And then the movies happened.
I had done a few commercials here and there, but I was never super lucky in commercials.
I think the concept of commercials, for example, I have had offers to do songs in different commercials, and it is not what I have liked.
I even had success with commercials, which is strange, because out of the six ideas, two won the platinum Minerva in France - it's the Oscar for their commercials. One was about the Renault diesel and the other about the regular Renault.
My first job was a commercial for a Swiss insurance company. It was an eight-minute short with a proper story arc, and it ended up getting a spot at Cannes Lions; I was lucky to avoid the commercials where you're their puppet.
I did a lot of commercials starting in about '75, yeah. Well, not 'a lot'; I never was a big old commercial gal, but I made a good living. I didn't immediately make 'a living' at commercials; the first year I made maybe a living was about '80. I had a great year in '85. I had a nice little supplement.
When I wrote "Win," it only took about eight months, but eight months of sheer pain and suffering because every phrase that's in there - and there are about 130 specific linguistic recommendations - I had to test every one to make sure that it worked.
I had a sense of mortality since I was a little girl, which has to do with my father, who nearly died eight times in my childhood. He had eight heart attacks.
That was a bizarre and unlikely event, which has misled a generation of drama students from my old drama school that dreams really do come true. I was an unemployed actor. I had been an actor for about eight years, and had worked in theater, and done a tiny bit of TV, and somehow an audition video of mine ended up on Kevin Costner's television screen, and he rang me up and invited me to fly first-class to Hollywood and be in his movie The Postman.
When I fought in The Ultimate Fighter Finale, I had microfracture surgery, and that's usually eight month's recovery turnaround. I had to fight three months after that, and I fought three months after that. And I had to train through that with that.
When I got to Performing Arts, within the first week, a few days, Bill Charlap walked in and couldn't read music but he's playing all these solos from Keith Emerson of ELP, and Rick Wakeman from Yes. Real impressive rock piano and keyboard things. And we had really, truly amazing young 13-14 year old classical players in our year who had been practicing six, eight hours a day for eight years. So it was like "Whoa."
The first step toward maintaining autonomy in any programmed environment is to be aware that there's programming going on. It's as simple as understanding the commercials are there to help sell things. And that TV shows are there to sell commercials, and so on.
I had to make my body fit like Bruce Lee. I trained for eight months, five days a week, eight hours a day. I just ate chicken breasts and vegetables, sometimes just egg whites.
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