A Quote by Lewis Capaldi
When I first started out, they were like, 'Is there anybody that you like that you want to work with, and we'll see what we can do?' And I went, 'I like Malay,' who's Frank Ocean's producer, and they were like, 'Not going to happen.' It did seem so, like, high-in-the-sky sort of thing, do you know what I mean? It still does, that it happened.
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I don't know if any of you feel this way, but it's like eventually, you see a woman come on screen and you go, "Oh, thank God!" You just sort of need a break from all this testosterone, which happened, I think, in one of my films, The Hurt Locker. I was in it for like five minutes, and people were like, "You were in that movie!" And I was like, "Well, kind of." And they were like, "No, you were!" 'Cause they needed a woman!
When I did 'Think Like A Man', I would run into people who were acting like it was the first thing I'd ever done. I was at the premiere of 'Think Like A Man,' and people were coming up to me, like, 'Man, you're going to get work after this, bruh.'
I did feel like they were telling me that something like that was going to happen. Not specifically - not that planes were going to be flown into the World Trade Center or anything like that - but in the general sense.
There was things just like not being able to date or - I'm talking like 15, 16 - like just certain things that my friends started to do. Like, they started to get phone calls from girls or like, you know, go and hang out 10, 11 at night, kind of going to the movies. There were just certain things that - it's not that I couldn't do all of those things. It's just that every choice was really deliberate and conscious and thought out and sort of balanced against the religion in a way where I felt - I wasn't necessarily trying to convert at 12 like [my mother] was.
Everybody seen me talking to Frank Ocean, so they know something is coming, so something is coming with Frank Ocean - just wait on it - and, you know, people were just like, 'Whoa, Rich the Kid found Frank Ocean!'
My sister was always supportive. When I first moved to L.A., she was like 'I know you can do it!' But my parents, in the beginning, not so much. They were kinda like, 'I'll believe it when I see it.' But when I actually started booking things, my dad was like, 'Oh, I knew it all along.'
Marvin Gaye, I'm super influenced by him. D'Angelo, Donny Hathaway. All the old school cats. New people, I like M83. I like Coldplay. I love Frank Ocean. Miguel. I get inspired by all these cats. People don't know that me and Frank Ocean went to high school together.
People talk about the 1960s in a nostalgic way, but to me it was terrifying. People were getting assassinated. There was Vietnam. There were race riots. It felt like everything was going to get blown up sky-high. It didn’t feel like flower power. It felt like Armageddon.
I'm sort of laughing and so Zach [ Galifianakis] started laughing [on the set of The Hangover]. And Todd [Phillips] was baffled because what we were saying wasn't that funny, you know what I mean? And it was like all the baby's face. So Todd was like, 'What is going on? Get it together guys.'
I like the guys who wrote their own stuff and were able to perform it, like Seth Rogen. He popped off so young. When he did 'The 40-Year-Old Virgin,' and he was a co-producer on the movie, I was like, 'Oh my God: that's exactly what I want to do.'
If you really want to hear about it, the first thing you'll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into it, if you want to know the truth.
At first glance, the story of the Lusitania doesn't seem like the sort of thing I would take on. I usually like ideas that are a little bit more complex, things that people don't know about - or maybe they once did, but now you bring it to life for them for the first time.
When I started out, maybe because I did Thelma & Louise early on - but people were always asking, "Are things better for women now?" I would say, "Yeah, I think so. It seems like it." Then a few years in, I started saying, "I think so. I'm getting a lot of good parts, but I don't know." Then eventually, I was like, "Google it. I don't know, but it doesn't seem great."
I didn't want to do a double album. I just felt like the last two records I made were like that, and a lot of records I was buying were like that, and it started to feel like it was too much music to digest at once.
I got a chance to get an actual label. I performed this slow song, this ballad I have. I just remember going to the first woman I saw in the room and just getting on my knees holding her hand just singing. And I was like, you know what, I got to just sell it. I remember that day they were like, yo we want to sign you. [After] I went into the bathroom, I started crying, [and] I called my mom. I was like momma – I did it.
I made my first website when I was ten. I flirted using instant messages all throughout high school. I like the Internet. I like cuddling. I like my cell phone. I like awkward eye contact with strangers. I like hearing people's voices. I like parties. I like Craigslist. These things don't seem technologically exclusive to me.
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