A Quote by Lexi Alexander
You can be Michael Moore and make 'Fahrenheit 9/11,' but that's hitting people over the head, and a lot of Americans don't like to be hit over the head. I want to make films that make people walk out and say, 'Wow, I really question if this is all right.'
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You get a lot of narrative energy from people who make really big mistakes, who act against their best interests, who do things that turn out to have serious consequences. It's very hard make a story out of people doing the right thing over and over again.
You have to hit people over the head to make them notice, and I did it.
I don't want to be a Michael Moore-style artist, which is not to disparage Michael Moore. But he seems rather unsuccessful at winning people over who don't already agree with him.
Then I heard another shot which hit him right in the head, over here, and his head practically opened up and a lot of blood and many more things came out.
When I watch a comedy that's just hitting you over the head with jokes constantly, some really hit, but if they miss, you're like, 'Eh.'
When you make a book or you make a movie, it is almost like hitting on somebody. It's not because you want to seduce people that you will seduce them; you can hit on somebody and it doesn't work. But when you hit on them and it works, then it's really cool.
There are a lot of people who helped make Queen Latifah who she is today. I don't forget, but a lot of people do and get big heads. My mom will make me walk the dogs or take out the trash when I go home. I'm not allowed to get a big head; I've still got to do the simple things in life.
One of the head guys at Disney categorically said to me, 'We don't want to make children's films any more. We want to make films that are going to appeal to all quadrants.' Hence you have films like 'Shrek' and all the Pixar stuff, which is designed to suit everybody.
What I want to do is make films that astonish people, that astound people, and I hope you want to do that too. It's easy to make money. It's easy to make films like everybody else. But to make films that explode like grenades in people's heads and leave shrapnel for the rest of their lives is a very important thing. That's what the great filmmakers did for me. I've got images from Fellini, from Bergman, from Kurowsawa, from Bunuel, all stuck in my brain.
People make a big fuss over you when you're President. But I'm very serious about doing everything I can to make sure that it doesn't go to my head.
Listen, Michael Jackson is really funny. To have time to spend with him and actually be around him, he's not what....people think he is. Michael Jackson's like a black belt too, so he will kick your ass if you say something about him." In disbelief the interviewer replied "No, really?" to which Will said, "Yes, Michael Jackson kicked over my head!
I've found that festivals are a relatively painless way to meet people and make a few points that need making, without having to hit them over the head with too many speeches.
I’ve found that festivals are a relatively painless way to meet people and make a few points that need making, without having to hit them over the head with too many speeches.
I don't want to have one hit, one song of the summer, and then have me disappear forever. I really want my things to last, and I want my songs and my bodies of work to resonate with people. I want to hit people - at least make a dent in them. I want to make a mark somehow.
But for me, at one point I was like, 'Why do I want to make films that people want to walk out of?' What if I actually want people to engage and have a good time?
You rarely see one punch kill anybody. I mean, Davey Moore died, the first fight I ever worked for the title, my guy fought and was getting killed, and he hit Davey Moore. Davey Moore went down. There was no bottom rope to it. I then put bottom rope to it, when I got in power. Hit his head. One blow, hit his head and died.
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