A Quote by Lights
I'll play for a couple of hours and then before you know it, it's time to go on stage. It takes away any nervousness and anxiety I might have about the big crowd out there.
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The funny thing about Thanksgiving ,or any big meal, is that you spend 12 hours shopping for it then go home and cook,chop,braise and blanch. Then it's gone in 20 minutes and everybody lies around sortof in a sugar coma and then it takes 4 hours to clean it up.
Actors know, with me they aren't going to be allowed to rehearse a scene for a couple of hours and then get away with doing 25 takes before we get it right. So they come with their full bag of tricks.
I think nervousness - a heightened sense of nerves and attention is a very healthy thing for a performer. It is an artificial environment that you are going into whether it's concert or recital, or stage. When I know something so well, I've done it so often, and you kind of walk out for Tuesday night's performance, or you feel like that, that makes me more nervous then being geared up. A little bit like race horses. In the same way that the horses are always difficult to get into that lineup, the worst time of my life is the 10 or 15 minutes before I go on stage.
It's a big, big advantage because understanding what changes we might make takes time and it takes time to work out settings and to understand everything about the new machine.
As far as the anxiety, I have no idea about it. I don't feel like I have any nervousness out there. I'm just a guy who really cares about being competitive and that's the bottom line.
It's one of the best feelings in the world to hit the quarterback like that, hear the crowd go crazy, and then to watch it on film. You look forward to those types of plays. The best part about it is that you never know when it's going to come. Every play you've got to go hard and every play you've got to think and believe that you're going to get that quarterback sack. If you don't get it that play it might be the next play so you've always got to be thinking about it, and when it comes, it's the best.
I don't agree with superstitious routines, but there are a couple of things I'll always do before performing. I'll get together with the band and chill out, and then, just before I go on stage, I'll always check my flies.
Going on stage is always a process that causes anxiety and nervousness.
In the early days of the Libertines, we used to put on Arcadian cabaret nights. There'd be some girl climbing out of an egg; we'd try and get a couple of mates to tell a few jokes, performance poets, and then we'd play in the middle of it all. More people were on stage than in the crowd.
It's a little bit odd. The first time you do the play, you kind of throw yourself into it, trying to get the most out of all the individual moments. Then, a few hours later, you're still there, wondering what you could possibly do differently than what you just did a couple hours ago.
The better players need to be out there in front of a big crowd, the TV cameras, with the adrenaline going. That is a test for any player to be able to do it on the big stage.
The anxiety I get more when I'm not working. So actually work, for me, takes away my anxiety, and doing live TV, in that moment when you're consumed by something else, it takes away all of my thoughts. It distracts you!
I dropped out in middle school. I dropped out in, towards the beginning of the ninth grade. And then I started studying -I started taking acting classes at a, well first I was like in a community theater at that time in Torrance, California, so I finished up like my season with that community theater just acting in, you know, acting in a small part on this play or a big part on that play or a stage manager or assistant stage manager in another play.
We played it as long as we could play it on that CD and I think it might be 50 minutes, maybe. What you have to do is play a couple of songs and then get off the stage because everything that trails it sounds stupid.
The main problem in any democracy is that crowd-pleasers are generally brainless swine who can go out on a stage & whup their supporters into an orgiastic frenzy - then go back to the office & sell every one of the poor bastards down the tube for a nickel apiece. Probably the rarest form of life in American politics is the man who can turn on a crowd & still keep his head straight - assuming it was straight in the first place.
I used to really want to go on the stage and then the last couple of years I've done some presenting at some award shows. I was so nervous I thought I was going to be sick, so I don't think me on stage for any length of time would work too well.
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