A Quote by Lil Jon

My music is designed to make a club go insane when it goes on. — © Lil Jon
My music is designed to make a club go insane when it goes on.
Go insane go insane, throw some glitter, make it rain...!
I think that the reason my records are able to live forever in the club is because I actually like to be in the club. I don't go to the club to do VIP or get bottles or nothin' - I go to the club, I enjoy the people, I see what the people are vibin' off, and I see what makes me go crazy in the club also, and that has a lot of influence on what I bring to the table when I'm thinking of making a big club record.
Welcome to Fight Club. The first rule of Fight Club is: you do not talk about Fight Club. The second rule of Fight Club is: you DO NOT talk about Fight Club! Third rule of Fight Club: if someone yells “stop!”, goes limp, or taps out, the fight is over. Fourth rule: only two guys to a fight. Fifth rule: one fight at a time, fellas. Sixth rule: the fights are bare knuckle. No shirt, no shoes, no weapons. Seventh rule: fights will go on as long as they have to. And the eighth and final rule: if this is your first time at Fight Club, you have to fight.
I used to go to Bourbon Street when I was a kid and there would be club after club after club of people who were around when the music started. I mean these are legendary, maybe not so well known, but legendary musicians.
This is just the way it goes: there's always a cycle with music - it goes up and it goes down, it goes risque and it goes back, it goes loud then it goes soft, then it goes rock and it goes pop.
I should clarify that anyone that goes onstage and makes strangers laugh is insane. So I am insane.
if he goes and dies on me now, I know I'll go completely insane.
Anybody can make hood music or club records, that's not hard. But can you make music that touch people's souls. That's what I was out to do.
When I was 16, I was in Boston and some friends said, 'You want to go to New York?,' I went with my roommate... These guys said, 'We're going to this club. Just don't go in the washroom.' It was CBGB. I had no idea what it was or the history of all the music. All I knew was this was my first 21-and-over club and I managed to get in!
As a musician, you write and make music as you go. It's definitely in a great sequence. When you release songs, you think, "Let me make sure this goes with this so it's like a story."
River is a fantastic club that goes beyond just football. They offer so many sports and activities within the club. There are schools for young players, and its DNA can be identified by every other club in Argentina.
Comedy is a funny thing, and it's really not like any other art form in that it's very specialized and varied in it's content, but generic in it's title. You would never go to a club just to see "Live music," you would go to a jazz club to see jazz, a blues club to see blues, etc. But when you go to see "standup comedy," if you don't know the performers material, you really don't have any idea what you're gonna get.
I don't go in the studio to make music that won't matter. I go in every night to try to make a point and make the best music that I can make.
Any club is important. All Latin music movements are born in clubs. There is no better research than going to a club. If your music works, it will bounce up.
The whole appeal of dance music is being liberated because music is liberating and it's not about club culture or the social aspect of playing the mating game or whatever you're doing at a club. It's more about the euphoric aspect of listening to music.
We make movies for the cineplex. They're designed for wide release. They're designed to be seen by a lot of people and eventually make money.
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