A Quote by Lil Uzi Vert

The thing that makes me different from any other rapper is that I usually talk real crazy in my songs. — © Lil Uzi Vert
The thing that makes me different from any other rapper is that I usually talk real crazy in my songs.
I'm a real gangster rapper and I'm a rapper. I just think my music takes different directions. I don't think you can pigeon hole me in one genre. I'm probably the most versatile in the game, period.
It's certain rappers that can really rap, that really spit all bars, so I understand why someone would say, 'You not a real rapper.' But the main thing is, if you can make good songs, who cares? So I don't know why guys be tripping on Drake. He makes great music. He's dope.
I hate when any rapper would just use "Rapper X" because "Rapper X" is hot at the time and put them on the record. That's not how I do my thing. I work with my friends and people I consider fam.
I don't think of myself as just a rapper. But overspending on sneakers? That's a real rapper thing to do.
Well, me and Freaky been knowing each other for a while, and he was always playing crazy music in his room, but he would never release it. He's, like, the most underground rapper I know, and he's crazy talented.
I think it would be different to work with a guy like Kanye West or Jay-Z, those guys are so phenomenal, but just to work with a rapper, I don't think is really my thing. I really like songs, like true songs. Like indie songs.
I strive for perfection, but I'm not perfect. But what I can say is my morals are totally different than any other 24-year-old rapper my age now. I look at life totally different. A whole other aspect. I have different views and morals on life in general. And opinions.
I strive for perfection, but Im not perfect. But what I can say is my morals are totally different than any other 24-year-old rapper my age now. I look at life totally different. A whole other aspect. I have different views and morals on life in general. And opinions.
It's a pretty crazy thing in which I tried to make songs, real songs, not the quick stuff like on a tape. A dose of Kendrick Lamar, a dose of J. Cole... because it's got to be an album that goes [in the] club.
It's different, it's weird to say, 'She's a white rapper or she can't do this because she's this color - this color does this thing. These are the boxes we have, this is what it is, don't try to change it.' And it's crazy to me because I'm just not from that world, so I can't really rock with it all the way.
I adored you,” North said. “I just didn’t tell you. You were the most amazing thing that had ever happened to me. Nothing else like you in my world before or since. I was crazy about you. I still am. Ten years later you walk into my office and I see you and it’s like the first time, I can’t think, I can’t talk, I just need you with me. It makes me crazy, but now that I’ve got you back . . . You’re everything, Andie. I should have told you that before.
People always have these debates about who their favourite rapper is. And I think it's based upon what mood that particular person is in. If someone's favourite rapper is a lyricist then they're focused on rhymes or substance. If someone's favourite rapper is a party rapper, you know, someone who makes music about the clubs... "Oh, he's my favourite rapper". No, his subject matter is your favourite.
When you talk about our good and bad mental health stuff, it makes you realise you're not the only one feeling that way. It's OK to talk; it doesn't mean you're crazy or abnormal in any way. In fact, it's the opposite.
The real controversy comes with anthropologists - not all, but some - who see themselves as studying culture, and they then see culture from the perspective of humans, which is what they study. From their perspective, or, from some of their perspectives, it's sort of heresy to even talk about culture in any other animal. Others would say, "Yeah, you can talk about it, but our definitions of culture are so utterly different from yours and include things like values, and so on, which you've never shown to exist in any of these other creatures."
No eleven-year-old has any real grasp of death. He doesn't have any real concept of other people--that they feel pain, even that they exist. And his own adult future isn't real to him, either. Makes it that much easier to throw away.
I'm not like other writers. I'm not hung up on using my own songs. In fact, my sister Bunny always tells me I sing other people's songs better than my own. She says I loosen up and give the songs a different feel.
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