A Quote by Lindsay Fox
Three score and, and ten has always been something that I never thought I'd make. So when I made it, I wanted to celebrate it and I did.
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When I see the Ten Most Wanted Lists... I always have this thought: If we'd made them feel wanted earlier, they wouldn't be wanted now.
Arrested Development never felt safe. Even the first season, we did thirteen episodes, and we thought we'd never do a back nine. So I never thought in a million years we'd get to make three seasons. I was happy we got that far. I thought it was really good, and I'm really proud of it. I don't think we made a bad episode.
Twenty-three is said to be the prime of life by those who have reached so far and no farther. It shares this distinction with every age, from ten to three-score and ten.
I've never thought I wanted to quit in my research. I would always fail in experiments, which I did at least three times a day.
When I grew older and went my own way, MMA kind of stuck with me. I got to the point where I wanted to make something of it. I always thought fighting was fun, so I joined a gym and took it serious. I never actually thought I would be a real fighter, though. But I began to excel on the local circuit and I did well for myself.
So, eventually, he made one final arrangement with himself, which he has religiously held to ever since, and that was to count each fish that he caught as ten, and to assume ten to begin with. For example, if he did not catch any fish at all, then he said he had caught ten fish - you could never catch less than ten fish by his system; that was the foundation of it. Then, if by any chance he really did catch one fish, he called it twenty, while two fish would count thirty, three forty, and so on.
It's not that acting was something I'd always wanted to do. I had no formal training; I'd never really imagined I'd be an actress. Business was something that had always been in my mind, but when I got into acting, I learned everything on set, and for me at that point, I wanted to excel at what I did.
When I was little, I was always going to the goal. I've always wanted to score and create something, and I think it's always been within me to play offensively.
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Most of the most successful films Blumhouse has made have been rejected by everyone else. No one wanted to make 'Get Out.' Nobody. Nobody wanted to make 'The Purge.' I think it was floating around for three years before it came to us. Nobody wanted to make 'The Gift,' when it was a script called 'Weirdo.'
I was always a guy who could score the ball as a kid, but everybody wanted to score. And I always wanted to be different in some type of way.
I've always thought that the most extraordinary special effect you could do is to buy a child at the moment of its birth, sit it on a little chair and say, "You'll have three score years and ten," and take a photograph every minute. "And we'll watch you and photograph you for ten years after you die, then we'll run the film." Wouldn't that be extraordinary? We'd watch this thing get bigger and bigger, and flower to become extraordinary and beautiful, then watch it crumble, decay, and rot.
I'm a girl, and I celebrate being a girl, and it was really important to me to celebrate the beauty that I could create in a movie like the one I did, aesthetically, in terms of the costumes and the production design. I wanted something big and lush and beautiful and unashamedly feminine.
I have always wanted to make a movie, in fact I always wanted to direct someday. But I never thought I would be a producer.
It is completely a God thing that I am here today because for the first 17 years of my life, I never thought I would ever do music professionally. I'd always liked what my dad did, but I never thought that I wanted to do it, just to be different.
Tessa had begun to tremble. This is what she had always wanted someone to say. What she had always, in the darkest corner of her heart, wanted Will to say. Will, the boy who loved the same books she did, the same poetry she did, who made her laugh even when she was furious. And here he was standing in front of her, telling her he loved the words of her heart, the shape of her soul. Telling her something she had never imagined anyone would ever tell her. Telling her something she would never be told again, not in this way. And not by him. And it did not matter. "It's too late", she said.
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