A Quote by Lisa Kennedy Montgomery

I definitely think my ancestry has something to do with my politics. And I think being deeply suspicious of government and communists is implicit in a lot of first-generation immigrants, particularly from Eastern Europe. My mom came over from Romania when she was a kid and they fled the commies who took their family hemp farm.
I was never that kid that wanted to be in politics. What happened was, I graduated with a degree in accounting. I came back home to the family business. I saw how hard it was to make a ­dollar, and how easy it was for the government to take it. And my mom said, "Quit complaining about it. Do something about it."
I think coming from the Northwest is something that's born in your blood. On my mom's side, I'm, like, a sixth-generation Oregonian. My family came over in the covered wagons, 'Oregon Trail'-video-game style. Maybe the pioneer mentality runs in my blood because they were all pioneers.
I think there's always an expectation when you're a first generation, especially a first-generation Nigerian, of sort of being a doctor or a lawyer or an engineer. And so, you know, sort of my initial pursuits into the arts and that I was going to pursue film as a career didn't confuse them, but it was definitely something that they were scared about.
My mom knew that I was gay. So she just came up to me in the kitchen one night, and she said, 'Justin, are you a homosexual?' And I said, 'Yes,' and that was that. She took all the steps, she went to talk to a family counselor beforehand to see how she should bring it up, and now my mom's my biggest fan.
I think that a lot of the stories I would see was kids who are first-generation immigrants, watching them try to rip themselves from their family and their faith and kind of erase. I hadn't really seen anything where someone's trying to reconcile the two.
Over the years, I developed an extreme hostility towards the non-profit art organization gulag. I formed the opinion that it's actually a very sophisticated form of government suppression of creativity, particularly in young people. When I see the younger generation dragged into this and being told to write these statements and take these photos, define your work this way or that way, I think it's wrong. I think instead of paying any attention to politics, a great project for young artists is to attack and destroy the non-profits of our world.
I think that Vladimir Putin is certainly getting a lot of publicity for what the Russians are doing. And I'm not sure that's unwelcome to him. I think this is a guy who saw the U.S. basically come out against him in his reelection campaign in 2012. He saw the U.S. being behind all of the color revolutions in Eastern Europe and in Georgia and Ukraine and so on. So his view is the West has been interfering in his politics for years.
Where have we come as a country, when loving the Constitution, being a patriot, loving Jesus is extremist? Let me tell you what I think is extreme, is a president who was raised by communists, taught by communists, who was supported by communists, and whose self-appointed, self-admitted heroes are communists. And that, I think, is un-American.
Do I address issues of the spirit, of the soul, in my work? Yes, definitely. As for being a Catholic poet, I was born in, and into, Catholicism - Eastern Rite Maronite and Melkite Catholicism. Not being Catholic has never been a choice for me - it's in my family, my ancestry, going back centuries. Catholicism, for me, is always here.
My mom is very good at being passive-aggressive, and my Dad is a total wiseass, so I think the mixture of the two of them is my comedy. But, I am definitely the first comedian in my family.
'The Secret Garden' was the first musical that I fell in love with when I was a kid. My mom took me to see it, and it was the first one that I owned the soundtrack to and listened to over and over again.
I came back and decided that I wanted to go to college for acting and got my family on board. My mom, who was a single mom, was a little reticent, but I think after that summer [in the Governor's School], she saw a shift in me and realized that it was something I wanted more than just a hobby.
I took the step over to Europe to play at a big club at a young age. I think that's what's hard for a lot of people, moving over there.
As I wrote Working toward Whiteness, I came to see one historic task on the New Deal - and one in which it succeeded - as the fostering of fuller U.S. citizenship among immigrants from southern and eastern Europe and their kids. But this very achievement separated poorer and often despised immigrant workers from Europe and workers of color in unprecedented ways.
I think it's a scary thing for a lot of people to think of the government not being involved in their lives, particularly single women.
I could have sworn that they were originally Americans who maybe fled. Maybe they were illegal immigrants or something who got here, come here with an entitlement mentality, didn't like it, fled the scene because Republicans drove them out of the country in the last election, so they went over to Somalia and started pirating things. Because they have the attitude of entitlement just like a lot of American citizens do.
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