A Quote by Lisa Kleypas
But when you started dating someone, you could never be sure what you were getting into. You had to give someone a chance to show you who he really was . . . and believe him when he did.
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I'm really not one to brag, but I think my job is one of the most important things someone can do with their life. I mean, it really gives people a chance to live outside their means through someone else's vision. And I think that's something really great that I can give back to the community. Sure I could be a doctor or a lawyer, but do they really help anyone? Sure you can save someone's life, but can you really change it for the better? I'm not saying their jobs aren't important, just not as important as mine.
The early days were really difficult because it was constant no's, I didn't have an agent. I always knew that I had something to offer, but it just felt like I could never get someone to give me a chance.
If someone has the chance to be top scorer and you want to encourage him, then you give him the chance to be top scorer but it never happened. That's why I believe something is going on there.
Some of the things you believe were never true. They were someone else's fears. Give yourself a chance to examine your thoughts. Change those that are negative. You are deserving.
In the beginning, me and my bandmates just did stuff on our own - we had smoke bombs, we'd dress as crazy and as weird as we possibly could, just to give ourselves a different ambience. But when we started making money, of course, the ideas started getting bigger. We were big fans of Broadway; we were like, "Man, when you go see a Broadway show, you just get pulled right out of reality; you're into their world for a two-hour period. It would be nice if we could do that onstage with a music concert".
You could run from someone you feared, you could try to fight someone you hated. All my reactions were geared toward those kinds of killers – the monsters, the enemies. When you loved the one who was killing you, it left you no options. How could you run, how could you fight, when doing so would hurt that beloved one? If your life was all you had to give your beloved, how could you not give it? If it was someone you truly loved?
Whatever someone told you, you can never be sure of what they said. Whatever someone said, you can never be sure of what you were meant to understand - so if it's really this complicated, what's the point of trying to infer things when you can just ask.
Somebody's real voice is probably the hardest one that somebody could attempt. The characters are all, believe it or not, rooted in a reality of some sort. I've met and talked to people, and they're also fusions of showbiz periphery. But the best thing was, if you did your own voice and you were the star of the show - if it came to blows and they had you on the ropes and you had to leave, then they could just get someone to sound exactly like you.
I have a very close friend who is a brilliant clown, and I always wanted to do a show with him. So I did one year at La MaMa Theatre. I had not done stilts before that show, and I had about two weeks to learn how to do that, and they were just made with off-off Broadway money. The ones that I had in Rogue One were made by [Industrial Light & Magic]. So they were really easy. They were made with actual prosthetic feet on the bottom. They were athletic, in a way. I could run in them. There was a bounce to them that I could use.
I was angry with him before. I’m not really sure why. Maybe I was just angry that the world had become such a complicated place, that I have never known even a fraction of the truth about it. Or that I allowed myself to grieve for someone who was never really gone, the same way I grieved for my mother all the years I thought she was dead. Tricking someone into grief is one of the cruelest tricks a person can play, and it’s been played on me twice.
Yeah. When I was 14, my Dad had a radio show with really cool people from Ghent, our hometown, in it. The people who started the R&S techno label, they did a show, and a very well known Techno DJ called Frank de Wulf who was from around there, he did a show, and everybody could do what they wanted. They all started up there.
I'm not sure that I could give notes to someone that I revere. That's a general challenge of directing, giving notes to someone you revere. The other big contribution to this, which most people I show footage to take note of is Mauro Fiore's cinematography is unbelievable.
Perhaps someone will have seen mine, the one I’m waiting for, just as I saw him, in a ditch when his hands were making their last appeal and his eyes no longer could see. Someone who will never know what that man was to me; someone whose name I’ll never know.
I started writing by doing small related things but not the thing itself, circling it and getting closer. I had no idea how to write fiction. So I did journalism because there were rules I could learn. You can teach someone to write a news story. They might not write a great one, but you can teach that pretty easily.
When I started dating I had this kind of Romeo and Juliet, fateful, romantic idea about love. It was almost that you were a victim - that there was a lot of pain involved and that was how it should be. Shakespeare said the course of true love never did run smooth and I had a sense it had to be painful. It was such a revelation to realise it shouldn't be that way and you get to choose who you love and who you give your heart to.
Darkness coiled between what he wanted them to believe and the self he despised. It only made him more alone. How could you save someone when he didn't let you kno him? What a waste. The beauty he murdered in this place. He could never see what he had, only what he failed to achieve.
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