A Quote by Lisa Lutz
I liked the idea of exposing the beams in collaborative novel. And there are many - especially in the crime world - there are many people working together: James Patterson and his stable of sub authors; and then there are like Ken Bruen and Reed Farrel Coleman and Jason Starr.
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Can Ken Starr ignore the apparent breadth of the sympathetic response to the President's speech? Facially, it finally dawned on me that the person Ken Starr has reminded me of facially all this time was Heinrich Himmler, including the glasses. If he now pursues the President of the United States, who, however flawed his apology was, came out and invoked God, family, his daughter, a political conspiracy and everything but the kitchen sink, would not there be some sort of comparison to a persecutor as opposed to a prosecutor for Mr. Starr?
I liked teaching Henry James. When you look down at a Henry James novel from a helicopter height, you find an intricate spider web that all clings together.
My preferred genre of reading is crime thrillers - books by Harlan Coben, Jo Nesbo, David Baldacci, James Patterson, Ashwin Sanghi and a few others - and I write crime thrillers.
I took the first James Kelman novel, 'The Bus Conductor Hines', home to my dad. I thought, 'My dad will like this; it's written in Scots.' But my dad said: 'I can't read that.' He was reading James Bond and John le Carre. That was part of what attracted me to crime - the idea of getting a wide audience.
My favourite authors are Jeffrey Archer, for his story telling skills; John Grisham, for the completely new genre he created; and James Patterson, for the way he created a new business model out of writing.
I just love the people I work with so much, you know. It's an embarrassment of riches to get to work with Kristen Schaal and Mel Rodriguez and Mary Steenburgen and Boris Kodjoe and Cleopatra Coleman and January Jones, but then to get to bring Jason Sudeikis into the mix, you know, we're like brothers from all that time we spent together.
I started to read James Baldwin very early on in my life. At a time, as a young adult in the Sixties, when there were not that many authors in whom I could recognize myself, he was an important guide and mentor to me, as he was to many others. He helped me understand who I was and decipher the world around me.
Life in the restaurant business can provide a start in the working world for young people or a stable living for many Americans and their families.
If men like [Ken] Starr and his allies could ignore the Constitution and abuse power for ideological and malicious ends to topple a President, I feared for my country.
I see so many bands, that are trying really hard to write for a person that they've never met. I get the idea behind it and the idea of helping people, but I feel you help people more by exposing yourself.
When you are shooting a movie, you have to collaborate with many, many, many people. First of all, the director with all his own ideas and I can only just help him with that. I cannot change his idea.
We live in a sea of general ideas, so that's not a novel, since there are so many general ideas. But the moment a particular idea is linked to a character, it's like an engine moves it. Then you have a novel underway.
The idea of copyright did not exist in ancient times, when authors frequently copied other authors at length in works of non-fiction. This practice was useful, and is the only way many authors' works have survived even in part.
James Baldwin is probably, for me and for many other people, one of the most extraordinary authors in this country, black or white. And he is somebody who changed my life.
There's no way in which you can ever win a war against terror. As long as there are conditions in many parts of the world that make people desperate: poverty, disease, ignorance, etc. I hope that we will discover soon, that we can survive, only together. We can prosper only together. And I think people are beginning to realize this, that you can't have pockets of prosperity in one part of the world and huge deserts of poverty and deprivation and think you can have a stable, secure world.
Michael Koryta isn’t just one of the finest authors working in the crime genre today. He’s simply one of today’s finest authors, period. His stories are taut, compelling, and beautifully rendered. His understanding of human nature-the good, the evil, and all the gray between-is masterful. THOSE WHO WISH ME DEAD is Koryta at his best.
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