A Quote by Lisa Unger

Writers are first and foremost observers. We lose ourselves in the watching and then the telling of the world we find. Often we feel on the fringes, in the margins of life. And that's where we belong. What you are a part of, you cannot observe.
Fiction writers are strange beasts. They are, like all writers, observers first and foremost. Everything that happens to and around them is potential material for a story, and they look at it that way.
There are two laws that we had better take to be absolute. The first is that as we cannot exempt ourselves from living in this world, then if we wish to live, we cannot exempt ourselves from using the world. If we cannot exempt ourselves from use, then we must deal with the issues raised by use. And so the second law is that if we want to continue living, we cannot exempt use from care.
Where we belong is often where we least expect to find ourselves—a place that we may have willed ourselves to forget, but that the heart remembers forever.
How can any company know if its processes, products, people are safe? Only if everyone is watching and telling the truth. The first part can be assumed; the second cannot.
To really belong, we have got, first, to get it clear with ourselves that we do not belong and do not want to belong to an unfree world. As free men and women we have got to reject much of it and to know why we are rejecting it.
To observe the world carefully, to write a lot and often, on a schedule if necessary, to use the dictionary a lot, to look up word origins, to analyze closely the work of writers you admire, to read not only contemporaries but writers of the past, to learn at least one foreign language, to live an interesting life outside of writing.
A Buddhist monk has a responsibility first and foremost to themselves, and that's to find the truth each day in every part of their life.
Cover the canvas at the first go, and then work on till you see nothing more to add ... Don't proceed according to rules and principles, but paint what you observe and feel. Paint generously and unhesitatingly, for it is best not to lose the first impression.
The problem is when you become so well known that everyone is watching you and you don't have an opportunity to observe. It's something that I don't want to lose. I like being unnoticed when I don't feel like being noticed. It's not like I crave attention all the time. Something that I've always loved and appreciated is the chance to see something about someone's character, observe and kind of retain it, and study it without feeling like I'm studying it. I have an intense curiosity. And it would be a shame if I lose the ability to do that.
Don't belong to anything. Don't belong to anyone. Just Be. Feel your Being first and foremost, and don't compare or compete. Just Be your Being.
We lose things all the time. We lose ourselves every day. We lose our minds occasionally. But it's just a part of life, loss.
Observe the life like a wise tree by the side of a calm lake! Do not move; just sit and observe! Observe the Sun, observe the storms; observe the wisdom, observe the stupidities!
We cannot remember too often that when we observe nature, and especially the ordering of nature, it is always ourselves alone we are observing.
I find that so often this work can so easily overcome you and knock you out of balance and become all you think about and all you care about and all you feel is important in your life, and it's kind of the opposite. Relationships first and people first and then you can be a great performer.
We also write to heighten our own awareness of life... We write to taste life twice, in the moment, and in retrospection... We write to be able to transcend our life, to reach beyond it...to teach ourselves to speak with others, to record the journey into the labyrinth. We write to expand our world when we feel strangled, or constricted, or lonely... When I don't write, I feel my world shrinking... I feel I lose my fire and my color.
I see this with experienced writers, too: They worry so much about the plot that they lose sight of the characters. They lose sight of why they are telling the story. They don't let the characters actually speak. Characters will start to dictate the story in sometimes surprising, emotional, and funny ways. If the writers are not open to those surprises, they're going to strangle the life, spark, or spirit out of their work.
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