A Quote by LIZ

We have a show tonight. I've never missed a show. Not even the time I had that virus they kept saying only raccoons get. — © LIZ
We have a show tonight. I've never missed a show. Not even the time I had that virus they kept saying only raccoons get.
I was told that I don't understand radio, should go into sales and all this. It was only my desire and love for what I wanted to do and what I was doing that kept me plugging away. I never at any time was motivated by an "I'll show them" attitude. Never was I motivated by, "I'll show them," that wasn't it. I just loved it. It was what I wanted to do. I was lucky to learn early in life what I wanted to do, and I knew how to define success, even though by the time I'm 33 I still hadn't had any. I was just on the verge of it, and I'd been working since I was 16.
I had never intended to be on the show more than three years, regardless of how successful it was. I had other things I wanted to do. And I was offered a role in 'Red Sky at Morning', [1970]. I got that part because [producer] Hal Wallis had seen the HERE'S LUCY show with Ann-Margaret. It was a thrill for me, getting to do the drama and comedy. It was such a good role. So I missed several episodes of the show to shoot the movie. And I never came back but one.
It used to be that if you got on 'The Tonight Show,' your career was made. Now, if you're on 'The Tonight Show,' maybe 14 more people show up to your gig in Tulsa.
Yeah, I had a talk show canceled. Okay, let's go back to the list of people who had talk shows canceled. Johnny Carson had his first talk show canceled. Jon Stewart. Letterman. Conan O'Brien, if you look at 'The Tonight Show' as a show that got canceled.
The best compliment I get every year is that a band will write me and say, 'We were just on tour, and we had people coming to our show saying they had never heard us before they heard us on your show.'
Initially, when I'd heard of 'Teen Wolf,' I had never actually sat down to watch the series. But during my audition process, before I had a clue that I would even be considered, I started watching the show to get a feel for it and to see what type of show it was.
I remember when I had my show [The Chris Rock Show on HBO], I used to run my show. It was so hard to get people to bring sketches to me. No one had ever worked for a black person before. Even the black people hadn't worked for a black person. It literally took a month or two for everybody to know: I'm really running the show.
It [The Esemblist] is also about the generation of audience members that are watching shows and listening to us at the same time; hopefully, in time, when they listen to our show and then go see a show, they'll realize even more what it takes to make a show, and they'll know even more about everybody on stage, rather than just people above the title of the show.
He used to have a tent show, a little tent show, and I thought I was going to get a job working one year on the tent show, but he closed it down and I never got to go out there, but anyway, he had a sax and played drums.
The entire season, the show had never been aired for more than three weeks. You can't get an audience that way. They would never promo the show for the next week.
We're having so much writing some of the sillier stuff that never would have been on Mr. Show. And that's not a knock on Mr. Show at all, because it's my favorite comedy show of all time. Even before I worked on it. It's just really refreshing to write something so stupid and say, "We gotta do that."
'Tommy' was the first show I ever saw on Broadway. I was 14. It wasn't 'the show' that started that flame in me or anything, but it did excite me in a way no other show had. I'd never seen a show so brilliantly cast and directed.
Right after the show tonight, I'm going to the New York City car show. You get to see the models that will be crashed next year by drunken Secret Service agents.
That's why I had to leave Hair on Broadway, because I did it for about a year, and one night I was doing the show, and I realized, well, this is not real. I told the director. He says, man, it was a killer show tonight.
I think we fought Vietnam for the benefits of civilization, and certainly we fought it to oppose authority. To show our authority, to show we weren't weak. Isn't that what Nixon kept saying? "We have to show the world that we're not weak." So of course what we ended up showing the world was that we were, yep, weak. 'Cause we couldn't beat these kids in black pajamas.
I am only a physicist with nothing material to show for my labours. I have never even seen the ionosphere, although I have worked on the subject for thirty years. That does show how lucky people can be. If there had been no ionosphere I would not have been standing here this morning.
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