A Quote by Liz Cambage

It wasn't until I moved to America that I started to really embrace my body and my skin color and who I really am. — © Liz Cambage
It wasn't until I moved to America that I started to really embrace my body and my skin color and who I really am.
There's not many models in the U.S. that have my depth - like, really dark skin - that are also plus size. Skin color has been one of those things we haven't really, really addressed on a large, widespread scale.
Growing up, I had body confidence issues, not really so much because of size but my skin color. I had trouble recognizing that the depth of my skin tone is really beautiful because whenever people referred to a beautiful black-skinned woman, you'd see Beyonce and Rihanna.
When I was, like, 5 years old, I used to pray to have light skin because I would always hear how pretty that little light skin girl was, or I would hear I was pretty to be dark skin. It wasn't until I was 13 that I really learned to appreciate my skin color and know that I was beautiful.
For me, it's really important to take care of my skin. Especially because when I see someone, and they're just so fresh and beautiful, you always notice their skin first. So having a really good skin-care regimen is a must. I just wish I would have started taking care of my skin earlier!
I had a hard time when I came back to Sweden and started school, because I looked different. And we moved to a really small town on the west coast of Sweden, and there were no brown people around. It didn't really get any better until I started music school at about 10 years old.
I started at 'The Daily Telegraph' as a daily news reporter. I moved then to 'The Guardian,' and then I moved to New York as the correspondent for 'The Guardian,' moved to 'The Times of London.' And really, it was the best job you could imagine. You could cover any story you wanted in America.
This is really skin privilege, the ranking of color in terms of its closeness to white people or white-skinned people and its devaluation according to how dark one is and the impact that has on people who are dedicated to the privileges of certain levels of skin color.
I was a girly-girl until I moved to New York. Then I got really into the androgynous look of the early-'90s club scene. I had really short hair and started blurring the line a bit. But for me, grade school was about Benetton, Esprit, and Guess jeans.
I think a perfect-color scarf really brings out your whole skin tone, lip color, and everything else.
You don't hear that much about me being a white and singing soul music in England, but I get the feeling that in America it's really a big thing. It's like, 'God, look at the color of her skin.'
My mother is Afro-Caribbean and my father is Caucasian-American, and I was born in Pennsylvania and moved to the Cayman Islands when I was about 2. So I grew up there with my mother, and it's really all I know. I grew up there until it was time to go to college, and that's when I moved back to America.
Beauty is only skin deep. I think what's really important is finding a balance of mind, body and spirit. Someone said to me not too long ago, "Until you're twenty, you have the face you are born with, and after that you have the face you deserve", and I really loved that - the idea that you wear who you are on your face.
I used to be really comfortable with my body until I started hearing from people I didn't even know who have no relevance to me saying, 'You're ugly. You're fat. You're old.' And I thought, 'Hold on - I was doing alright until you piped up.'
The first year I moved to Nashville, I started playing these songwriter nights with people like Nickel Creek, Duncan Sheik, and even Ryan Adams... That was the first place I really started playing music, and I had to really step up my game. Really quick. Or get kicked off the stage.
I just try to love my body, to embrace who I am and really be the best version of myself. You have to know how much you're worth.
When I was sixteen I started acting, and I also started to embrace my tradition and culture. I had a young medicine man interpret for me what it is to be an Indian. He really caught me at a good time because I was really vulnerable after the loss of my parents with all of the feelings of abandonment.
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