A Quote by Liz Mitchell

Disco music has had its opportunity earlier and now the young people have taken it to another level. DJs are using our music and creating innovative remixes out of it. This is the way party is today. You can say, it's a new type of disco now.
There was a movement called 'disco sucks', it was a shame to like disco, but then there was no music to dance to, so some DJs started to use old disco records, but the B-sides and the acapellas, and we began producing beats with drum machines.
The music industry isn't converging toward dance music. Dance music is dance music. It's been around since disco - and way before disco. But there's different versions of dance music.
I had a few DJs in my neighbourhood that would play music in the streets. There was no hip-hop yet; there were just DJs that were playing disco, funk, and pop music, and we would gather round, go to the parks, and dance and enjoy ourselves.
Twenty years ago I went to see this show The Best Disco in Town Live, it was all these disco acts like Gloria Gaynor and Tavares and I had the best night of my life. There was no new music, it was just hits you loved growing up.
That big hit 'Get Lucky' is a disco song - not only the melody and the whole concept, but we had one of the great disco guys and one of the best guitarists ever, Nile Rodgers, to play on it. So that's great disco, but a modern disco, because it has great vocoders and synthesizers.
I really wanted to be a blues/jazz/gospel singer, but times had changed and disco was now the music - the new sound. I embraced it with all my heart and the rest is history.
Disco is the first technology music. And what I mean is that 'disco' music is named after discs, because when technology grew to where they didn't need a band in the clubs, the DJ played it on a disc.
Disco existed before we were all born and will exist afterwards. It is a ritual - it is a celebration - and it is the same kind of music that we call disco or rock'n'roll or a whole list of names that we can call it. Call it what you will, nothing will change the fact that certain kinds of music will make you want to celebrate or party.
As a late teenager, the punk movement pushed me further. In particular, the Clash, which happened to leak through the time of disco, showed me that there was this cross-cultural sound that could cut across genres and audiences. Like punk was to disco, rap music was a rebellion against R&B, which had adopted disco and made it worse.
EDM is, like... Event-Driven Marketing, I think, is the acronym there. It reminds me a lot of disco. That had some hang-time, like, 10, 15, 17 years tops... Not too many people are forward-thinking about electronic music. They're just kinda like, 'Now, now, now - do it, do it.'
Pop music, disco music, and heavy metal music is about shutting out the tensions of life, putting it away.
My policy has always been to play new music. New beat, industrial, techno, disco, funk, rare groove and house music.
When I say dance music, it's anything that makes me want to dance. It could be Timbaland and Missy Elliott, but it could also be disco music and samba music: It's not relying on melody in the same way; it's more about rhythm.
I don't like to put tags on my music. I leave that to others. Seems like some people see me as the founder of "space disco", although that's a bit weird since there were lots of music from the late 70s and early 80s that easily fits into this genre. I can understand why we need genres, but I don't feel comfortable using any on my own music.
When I listen to Radio 1 and hear five different tracks in a row using old disco samples, well that's plagiarism, that's taking other people's music.
I was the first Indian music composer to win the China Gold Award for 'Jimmy Jimmy' from 'Disco Dancer.' Adam Sandler repeated the song in his film 'Zohan.' 'Disco Dancer' is historical, as are 'Sharaabi' and 'Namak Halal.'
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