A Quote by Liz Prince

I was really inspired by seeing self published zines and mini-comics: seeing someone else make work that was either really personal, or was just done entirely themselves. It really showed me what was possible for my own art, and I hope that my books will inspire readers in the same way.
There's nothing more disheartening than seeing a movie and going oh, that doesn't work, or it didn't inspire us. Versus seeing a movie that is 'this is so awesome!'. Oftentimes, a really good movie just inspired you to go and make movies!
Self-published media are really critical. It's so heartwarming that people are still doing it in this digital age. It's just really moving and exciting. You can't really replace a beautiful little mini-comic. It doesn't translate to the computer, you know? Handmade stuff has really given me hope for humanity.
Seeing someone you know be good at something is really appealing. Seeing how Darren Aronofsky behaved on set, it was another aspect of him, the director. He'd never directed me at home in the kitchen before. It was just seeing a whole other aspect of someone. It was really, really exciting. I loved it.
I love writing songs with people, which is about really taking risks, throwing yourself over the falls and really seeing what you're made of and seeing how it sticks. Seeing how others react to it, and seeing also how it can become a melody and how it can really take off from your experience. It's a way of seeing life unfold on the page before me.
I know what I as an editor respond to is a voice. A voice is not just a stylistic thing, but it means someone who really has something to say. I think a lot of what I get from books - whether they be books of comics or books of literature - is a window into somebody's mind and their way of thinking. Somehow, I can recognize some of my feelings in seeing somebody who is actually expressing their own inner reality.
With comics, you can only really learn what you're doing wrong or what works best when you see your work published. I've been publishing comics since my 20s, and still, when I flip through any of my new comics, I still only see the things that I wish I'd done better. But that's how you learn, by seeing it.
Grateful that it brought me to a point of really seeing myself and really seeing where I was imbalanced, and really seeing it was a message from the Divine that changed my life.
I came up in comics doing lots of DIY self-published stuff, producing my own books, handling all the details of creation and production. And theatre is something that's really attractive to me, as it's a similarly accessible form - it has a lot of the same sort of down-and dirty DIY spirit, where you can make a lot with a little.
With acting, I'm taking somebody else's work and interpreting it. Whereas with music, it's organic. It's completely myself. Nobody else is really involved with the beginning stages of it. Art is something that I haven't really put out to the public. There's a couple pictures on MySpace, but I haven't done a gallery opening or anything like that. Art is very personal to me. I haven't really shared it with too many people.
For some reason, my main movie, Lady Sings the Blues, to me really isn't me. I really can let go of Diana Ross when I see the movie. I'm really objective when I'm watching it. I liked that movie so much. That movie was like magic so that when I'm looking at it I'm really not seeing myself, I'm seeing the actress. I'm seeing another person, not the me of me.
I start listening to something, or I'm seeing somebody a lot or seeing their art. And then I just really want to make a picture of them.
My travels through physics really are the same urges that make me travel through ecology. They are not really different, except that there is an added dimension of seeing ecological destruction and seeing the very life-support system that makes us survive on this planet being destroyed. That makes me do more than just inquire; it compels me to act and to intervene.
Balanchine is the number one influence for me. His work was really musically driven. He and Jerome Robbins were the ones who really showed me that dance could be about the inner relation between movement and music. When I was a student first seeing their work, I was like, 'Oh, this is a thing?'
The way Trump talks about Obama: presidents don't do that! What we're seeing now is a whole new level of vulgarity. I'm really hoping that it's not the rule from here on out. It's really distressing for me to witness this. I really hope we don't have to throw all decency out the window, just because Trump's president.
I really do hope 'The Hate U Give' provides mirrors for readers who don't often get them in books. I've had so many young black girls tell me just how thrilled they are to see someone who looks like them on the cover. I hope that they see themselves in the pages as well.
What the really great artists do is they're entirely themselves. They're entirely themselves. They've got their own vision, they have their own way of fracturing reality, and if it's authentic and true, you will feel it in your nerve endings.
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