A Quote by Lois Lowry
The grand surprise has really been the fact that being an author, which to me had always implied being a private person, actually requires you to be a public person as well, and those are two separate entities to me.
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It's a real wrenching thing to go from being a private person to being a public person, especially when you're being autobiographical.
If you want to draw people into the story, you really have to write as if you're writing a novel and make these actually-existing people, including the actually-existing person with my name, into a believable person on the page. And that requires distance. That requires not being right up against the events you're talking about.
For me, just being how old I am, I know I don't want to be a single mom. I really would rather make it a two-person job. But I've also come to terms with not being a mother at all. I'm actually really good with either direction that my life can take as being a valid experience.
It's a real wrenching thing to go from being a private person to being a public person, especially when you're being autobiographical. But it's what everyone wants - to get everyone's attention, to have your music make a living for you, to be validated in that way.
Being an author is always like being a well-run dictatorship - it's all one person speaking.
I've always been comfortable being the first person at a party, metaphorically speaking - being the first person on the dance floor, saying, 'This is where it's happening, people, and if you don't think so, that's cool, but I think you're missing out.' That's my general philosophy, and it's served me pretty well.
I was really blown away and inspired by everything that she [Audrey Hepburn] had done for children via and through UNICEF and I guess it really, really floored me in a way that I hadn't ever felt toward a public figure before. To see her kindness was inspiring and spoke to me as a person. She was so real and so elegant..I am also inspired by what Angelina Jolie is doing by traveling to places like Cambodia to help children by actually being there and being more involved.
I wondered where the person was who had taken my place, who wanted to know what news people had been told. I'm always looking for the person who replaces me, who thinks the things I do, who fills in for me when I'm not there. I know there is someone younger than me doing what I did and someone older doing what I will do, and someone my age being just like me.
The person is a mystery. What I'm playing is the person so I really get to tell you and show you and communicate to you who I think the real person is and that real person is me. The most important thing is to play the human being you are creating, which is my job.
I've realized the person that I've always been and this gift that I've always had just had to be brought to light. It surprised me the most that being more who I am and not who I thought I had to be would make me successful.
I just never have really been the kind of person that's out in public being inappropriate, I guess. I like to have fun as much as the next person but I tend to do it in private and just hang out with close friends. If I'm going to go out, I'll just do it with my really good friends.
Results have nothing at all whatever to do with the private fun of being an author. There lies the answer to the problem which puzzles many wise people. Now it is plain why there are so many of us ... But the public fun of being an author is rather apt to wear thin.
It's almost like living a double life where I'm in a limbo space where Amanda Knox, a real person, exists, 'Foxy Knoxy,' an idea of a person, exists, and I'm constantly having to juggle how someone is interacting with me based upon that two-dimensional person of me that has been in the public's imagination for so long.
If you're reading a book that I've written in the first person, without named characters, you will periodically perhaps as a reader remind yourself: Well, this is or isn't the author. This is a character.I think the second person turns that dynamic onto you, or situates it within you: This isn't really me, but what aspect of the character is really me? That creates a loop of seduction.
I've been very reluctant on the Twitter front. But I do Instagram now, so I'm slowly coming around. I'm quite a private person, so much of what I do for my job means that I have to be quite public so I'm just nervous about everything being public. I might turn around. Three years ago, I was against all social media but I actually really enjoy Instagram now. Who knows? I never say never!
There had to be something more important than me being comfortable, me being OK, and me being that one person that made it from Stockton. That's why I decided to run for city council in 2012.
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