A Quote by Lord Finesse
What's when you rap and don't appreciate the art?
What's when you sell out just to get a start?
What's when you make bullshit just for the charts?
What's when you rap, but it's not from the heart?
What's when you're hardcore, then you turn pop?
When you steal ideas to get props?
When you sell out to be on top?
What's when you front like you're hard, but you're not?
That's a gimmick.
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It'd be negligent to say that I don't want to be at the top of the charts. Of course I do, it's proof that your song is being heard. But I think it's more about the work for me and being proud of what I'm doing in music than what people think about my music. I want to like my music before you like it. I don't want to sell anything that I don't really like. I don't want to sell myself short just to get to the top of the charts. It doesn't feel that great. Feeling proud of your work feels greater than being at the top of the charts.
I feel like I'm doing something in Atlanta that nobody ever did as far as rap. If it happens to end up on the top 40 or the pop charts, it doesn't mean I meant to go pop. It's just where the music took me. It started at the bottom, and it rises.
We used to have MTV and all these ways we can show our videos, and it was these rap shows, and it was everything. And then it became not cool to be conscious; it became cool to just hang out. Escapism rap became the norm. And, when I say "escapism rap", I mean getting high, get your cars, get your money, get your jewelry, go to the club, have your women, and it just became all about escaping your reality and not making your reality better on a real tip; not just on the have fun tip.
Rap is hardcore street music but there are women out there who can hang with the best male rappers. What holds us back is that girls tend to rap in these high, squeaky voices. It's irritating. You've gotta rap from the diaphragm.
I didn't have to sell my soul for money. I didn't have to go through trap music; I could just help Ye write songs and get money from it. So I knew when I put my album out I could just be myself. Not saying I won't do a trap beat or rap over one, but that's just not what makes me. That's not all of CyHi.
They thought we were just basically keeping ourselves underground on purpose. And it was just strange for people to approach music that way. And for rap, trying to get recognition, and be seen as a regular form of music like anything else. I mean, the Soul, R&B, Rock 'N Roll, they would dis the hell out of rap when it first came out.
I can't freestyle or else I'll just start saying anything, so I'll write the song first and then record. I'll rap to the producer and he'll make the beat off my rap.
I think that a rap aficionado, the hardcore rap fan, will always go away from pop, in the same way a hardcore jazz fan will never think Kenny G is really a jazz artist. You gotta kind of know there's always going to be that purist who's going to be like if it ain't beats and rhymes, if there ain't a DJ, then that ain't Hip Hop.
I guess, like, I've always listened to rap, and I remember I specifically started listening to, like, pop-rap when I was, like, 11, you know, like Shaggy. I love Shaggy. And then I discovered, like, underground rap when I got to high school, and really, that's when it kind of blossomed. I don't feel like my love for rap blossomed off of Shaggy.
Good, well-defined, well-honed art is not a foreign language. You can sell it to people. You just have to move your ego out of the way, clear out the unfinished fantasies you have about being an artist yourself, and just sell it.
I'm not turning my back on music anytime soon, but it's just a blessing to have options open. A lot of artists just have rap, and that's it. But once rap stops, it's hard to get into that Hollywood circle; it really is. It's a whole 'nother beast that people think they're ready for, but they're really not.
Once you start moving [market] lower, then you trigger of all sorts of things. You trigger people who have to sell because they're over-levered. So they sell their winners and their losers. They're just trying to raise cash. So, what you then get is spreading malaise throughout the global markets.
Nobody's gonna ever like all my music but if your talking about the core hip-hop fans that like hardcore rap, they're still gonna feel some of my stuff cuz I rap hard a lot of the time.
The It Bag is a totally marketed bullshit crap. You make a bag, you put all the components in it that you think could work, you send it out to a couple of celebrities, you get the paparazzi to shoot just when they walk out of their house. You sell that to the cheap tabloids, and you say in a magazine that there's a waiting list. And you run an ad campaign at the same time. I don't believe that's how you make something that's lasting - that becomes iconic as a design.
I like to have fun out there. I work hard, and then I get to cut loose and go out and tour, and I enjoy it. I like to go out and meet the people. I love to sell books.
In this time, we incorporate money and media, and it's split up like apartheid, where when you say "hip-hop," you think just rap records. People might have forgot about all the other elements in hip-hop. Now we're back out there again, trying to get people back to the fifth element, the knowledge. To know to respect the whole culture, especially to you radio stations that claim to be hip-hop and you're not, because if you was a hip-hop radio station, why do you just play one aspect of hip-hop and rap, which is gangsta rap?
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