A Quote by Loretta Young

A pleasant voice, which has to include clear enunciation, is not only attractive to those who hear it... its appeal is permanent. — © Loretta Young
A pleasant voice, which has to include clear enunciation, is not only attractive to those who hear it... its appeal is permanent.
What actions are the most excellent? Those, certainly, which most powerfully appeal to the great primary human affections: to those elementary feelings which subsist permanently in the race, and which are independent of time. These feelings are permanent and the same; that which interests them is permanent and the same also.
Give unqualified assent to no propositions but those the truth of which is so clear and distinct that they cannot be doubted. The enunciation of this first great commandment of science consecrated doubt.
Whenever conscience speaks with a divided, uncertain, and disputed voice, it is not the voice of God. Descend still deeper into yourself, until you hear nothing but a clear, undivided voice, a voice which does away with doubt and brings with it persuasion, light, and serenity.
How often you are irresistibly drawn to a plain, unassuming woman, whose soft silvery tones render her positively attractive! In the social circle, how pleasant it is to hear a woman talk in that low key which always characterizes the true lady. In the sanctuary of home, how such a voice soothes the fretful child and cheers the weary husband!
Those voices you hear are like the voice of a multitude, which lifts its sound on high; for jubilant praises, offered in simple harmony and charity, lead the faithful to that consonance in which is no discord, and make those who still live on earth sign with heart and voice for the heavenly reward.
But what I would like to say is that the spiritual life is a life in which you gradually learn to listen to a voice that says something else, that says, "You are the beloved and on you my favour rests."... I want you to hear that voice. It is not a very loud voice because it is an intimate voice. It comes from a very deep place. It is soft and gentle. I want you to gradually hear that voice. We both have to hear that voice and to claim for ourselves that that voice speaks the truth, our truth. It tells us who we are.
There is a feeling which persists in England that making a sandwich interesting, attractive, or in any way pleasant to eat is something sinful that only foreigners do.
Those works alone can have enduring success which successfully appeal to what is permanent in human nature -- which, while suiting the taste of the day, contain truths and beauty deeper than the opinions and tastes of the day.
For the Americans, it is not attractive to hear what the similarities are between them and the Iranian people. It is attractive to hear how different the Iranians are.
The voice is certainly important and you can hear if it's beautiful or not, it's the gods who decide; it's more a question of what you do with the voice, which is the mysterious element. It's the personality behind the voice which makes the artist. The voice is a gift of God, but if you're not able to use this gift, what's left? Nothing but a beautiful voice, without nuance or color.
Let us treasure up in our soul some of those things which are permanent..., not of those which will forsake us and be destroyed, and which only tickle our senses for a little while.
In employing fiction to make truth clear and goodness attractive, we are only following the example which every Christian ought to propose to himself.
War is a thing of fearful and curious anomalies ... It has shown that government by men only is not an appeal to reason, but an appeal to arms; that on women, without a voice to protest, must fall the burden. It is easier to die than to send a son to death.
[I]n framing a Government for a nation we ought, in those provisions which are designed to be permanent, to calculate not on temporary, but on permanent causes of expence.
I have no sex appeal, which kills me. The only way I can ever hear heavy breathing from my husband's side of the bed is when he's having an asthma attack.
One of the rules of the road is that if you want to create the sense of silence, it frequently has more pungency if you include the tiniest of sounds. By manipulating what you hear and how you hear it and what other things you don't hear, you can not only help tell the story, you can help the audience get into the mind of the character.
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