A Quote by Lou Reed

I'm writing about real things. Real people. Real characters. You have to believe what I write about is true or you wouldn't pay any attention at all. — © Lou Reed
I'm writing about real things. Real people. Real characters. You have to believe what I write about is true or you wouldn't pay any attention at all.
I'm writing about real things. Real people. Real characters. You have to believe what I write about is true or you wouldn't pay any attention at all. Sometimes it's me, or a composite of me and other people. Sometimes it's not me at all.
All I can guess is that when I write, I forget that it's not real. I'm living the story, and I think people can read that sincerity about the characters. They are real to me while I'm writing them, and I think that makes them real to the readers as well.
I like to write about real people, real crimes. But what has increasingly come to interest me, and also appear to me as a challenge, is the idea of doing strange things with what is real. Take what is real and make it more or less real.
I try to write about real women, real people - in other words flawed characters.
I'm continuously playing this game of what's real and what's not real, and having to balance and judge and realize that there are things that carry real weight in the world and actually have power in them. And there are things that are just pointless, and you don't have to pay attention to those things.
My life is good because I am not passive about it. I invest in what is real. Like real people, to do real things, for the real me.
...we do not simply get showered with Hollywood money because we happened to write a little story about wizards one day. It's not winning the lottery. It's a real job, which real people do, and they have the same real problems as other real people.
I'm all about real drama, real performance, and real people, so my twist on this is: I'm creating a family, a brotherhood here. I'm creating a very real chemistry and I have this incredible ensemble of actors led by Will Smith, who are basically playing dimensional characters with lives and souls.
I try to write about real women, real people - in other words flawed characters. I find flawed characters much more interesting than perfect ones and enjoy the challenge of making readers root for them in spite of their unsympathetic path and destructive choices. Life is about the gray areas. Things are seldom black and white, even when we wish they were and think they should be, and I like exploring this nuanced terrain.
There are two magic acts I want to pull off when I write. One is creating a feeling that when you're inside a book, you believe everything you're reading even when you know it's not true. And the second is an extension of that, which is you know it's not true, you know it's not real, but you believe it anyway. And it's that believing of the story that isn't real that attracted me to writing and storytelling in general.
Do you think that the things people make fools of themselves about are any less real and true than the things they behave sensibly about? They are more true: they are the only things that are true.
Eventually we realize that not knowing what to do is just as real and just as useful as knowing what to do. Not knowing stops us from taking false directions. Not knowing what to do, we start to pay real attention. Just as people lost in the wilderness, on a cliff face or in a blizzard pay attention with a kind of acuity that they would not have if they thought they knew where they were. Why? Because for those who are really lost, their life depends on paying real attention. If you think you know where you are, you stop looking.
It's a huge responsibility writing about people who are alive. It's the thing about writing that keeps me awake at night: dramatising real-life events with real people.
I hate thinking about it, teaching about it, and writing about it. But the plain truth is that hell is real and real people go there for eternity.
Real people had real agendas, real demands, real expectations about how other people should behave.
Art should walk a tightrope. That's what art should be. Art should be dangerous. You can't be scared to say something with it. People love to talk about how comics are real art and real literature, so why not use these characters to talk about real things, even if it is dangerous?
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