A Quote by Louis C. K.

Life isn't something you possess. It's something you take part in, and you witness. — © Louis C. K.
Life isn't something you possess. It's something you take part in, and you witness.
You know what, it's not your life, it's life. Life is bigger than you, if you can imagine that. Life isn't something that you possess, it's something that you take part in and witness.
A man is not primarily a witness against something. That is only incidental to the fact that he is a witness for something.
When you take something that's inert, and through motion, give it life, make it appear to be alive, living, breathing thinking and having emotions, that's animation. But when you take something that's live-action, and move a part of it, that's a special effect.
Glamour is not something you possess but something you perceive, not something you have but something you feel. It is a subjective response to a stimulus.
I think that if you use something from you life in fiction, it metamorphosizes into something strange and different. Afterward it is hard to tell what actually was part of your life and what is part of the story of the fictional character.
You want to be part of something like that, that's something bigger than yourself, that's something you leave a legacy of being part of something special.
If you have sensitivity then mysticism will be part of your life. It's a very beautiful thing and a very real thing but it's not something to not take seriously and it's not something to take seriously.
He misses the feeling of creating something out of something. That’s right — something out of something. Because something out of nothing is when you make something up out of thin air, in which case it has no value. Anybody can do that. But something out of something means it was really there the whole time, inside you, and you discover it as part of something new, that’s never happened before.
I can't think of a single one of my plays that does not represent a coincidence between an external and an internal event. Something outside of me, outside even my own life, something I read in a newspaper or witness on the street, something I see or hear, fascinates me. I see it for its dramatic potential.
There comes a moment in a young artist's life when he knows he has to bring something to the stage from within himself. He has to put in something in order to be able to take something.
When the mind is quiet, we come to know ourselves as the pure witness. We withdraw from the experience and its experiencer and stand apart in pure awareness, which is between and beyond the two. The personality, based on self-identification, on imagining itself to be something: 'I am this, I am that', continues, but only as a part of the objective world. Its identification with the witness snaps.
If you possess something but you can't give it away, then you don't possess it... it possesses you.
Life can be so good if you let it. But you must trade with life. You give something and you get something, then you give something of yourself again and you receive something again. Life goes bad when people try to take from it without giving. Then they came away empty-handed, and they grab harder and more often, growing more disappointed and disillusioned each time.
Coming back to Florida, being able to have the opportunity to be a part of something new and something great and something special, I feel like that's the part that I was looking forward to.
I take my craft seriously, of course, but I don't feel the need to always play a certain character or a certain part or persona. I'm not going to cut something out of my life because it's not 'my image.' I want to be open enough that if I love something, I can do it, and it will add to myself as an entertainer.
Sacrifice is a part of life. It’s supposed to be. It’s not something to regret. It’s something to aspire to. Little sacrifices. Big sacrifices. A mother works so her son can go to school. A daughter moves home to take care of her sick father.
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