A Quote by Louise Brooks

I learned to act by watching Martha Graham dance, and I learned to dance by watching Charlie Chaplin act. — © Louise Brooks
I learned to act by watching Martha Graham dance, and I learned to dance by watching Charlie Chaplin act.
My idol growing up was Charlie Chaplin. I was obsessed with him. I mean, while other kids were watching Jim Carrey and the likes in the '90s, I was watching Charlie Chaplin films, because I was a bit of a geek. I became obsessed with this idea of physical comedy.
I learned to appreciate repetition. That's why I can dance. It's how I learned to act. I have a high tolerance for repetition.
I was always too afraid to slow dance. But I do remember watching people slow dance. I was the guy on the sidelines. At the school dance, I was usually in the band, playing.
I remember watching Soulja Boy on YouTube over and over again to prepare for it. For the first one, I was up all night in my kitchen, practicing the dance, because I knew I had to dance with Timberlake and that guy can dance.
I was asked to act when I couldn't act. I was asked to sing 'Funny Face' when I couldn't sing, and dance with Fred Astaire when I couldn't dance - and do all kinds of things I wasn't prepared for. Then I tried like mad to cope with it.
I was asked to act when I couldn't act. I was asked to sing "Funny Face" when I couldn't sing and dance with Fred Astaire when I couldn't dance and do all kinds of things I wasn't prepared for. Then I tried like mad to cope with it.
I find that you learn from others. It's very much about watching TV and watching movies for me and grasping that way and watching other people act.
While I love dancing and I am trained in certain forms, I can tell you that I dance better with my daughter because we dance like there is no one watching us.
Dance is my passion, and I feel so strongly about it that just watching people dance lights up my face and makes me come alive.
Saroj Khan was actually my dance teacher. I have watched her and learned many dance steps.
We dance for laughter, we dance for tears, we dance for madness, we dance for fears, we dance for hopes, we dance for screams, we are the dancers, we create the dreams.
The desires of the heart are as crooked as corkscrews Not to be born is the best for man The second best is a formal order The dance's pattern, dance while you can. Dance, dance, for the figure is easy The tune is catching and will not stop Dance till the stars come down from the rafters Dance, dance, dance till you drop.
In a fiction film, we know at some level we've suspended disbelief. In a documentary, we know that we're watching a drama unfold in the world because of the movie we're watching that is real. That has enormous stakes for the whole society, and we, by the act of watching, complete the story.
Almost all of what I learned about mounting and hosting a dance show I learned from Dick Clark.
I listen to archival and historic recordings. I love watching singers. I learned a lot from watching videos.
I try to act as a man of character if no one is watching or if the world is watching.
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