A Quote by L. P. Jacks

A master in the art of living draws no sharp distinction between work and play. — © L. P. Jacks
A master in the art of living draws no sharp distinction between work and play.
A master in the art of living draws no sharp distinction between his work and his play; his labor and his leisure; his mind and his body; his education and his recreation. He hardly knows which is which.
The master in the art of living makes little distinction between his work and his play, his labor and his leisure, his mind and his body, his information and his recreation, his love and his religion. He hardly knows which is which. He simply pursues his vision of excellence at whatever he does, leaving others to decide whether he is working or playing. To him he's always doing both.
Work and play can be the same. When you are following your energy and doing what you want to do all the time, the distinction between work and play dissolves. Work is no longer what you have to do, and play what you want to do. When you are doing what you love, you may work harder and produce more than ever before, because you are having fun.
The ultimate, if distant, aim of the Bauhaus is the unified work of art - the great structure - in which there is no distinction between monumental and decorative art.
Some people make sharp distinctions sort of between their recreational musings and their professional work. I don't make that distinction very much
Some people make sharp distinctions sort of between their recreational musings and their professional work. I don't make that distinction very much.
There is a sharp distinction between what is remembered, what is told and what is true.
Dad was always working in the living room. There was no distinction between work and life - it was the same thing.
When you're following your energy and doing what you want all the time, the distinction between work and play dissolves.
The designer of today re-establishes the long-lost contact between art and the public, between living people and art as a living thing.
I would draw a really sharp distinction between creating and producing. I think that they're very different things.
Everybody has a wicked side, whether they are six or sixty, and yet so often storytelling draws a sharp line between good and evil.
Keep score, which is what the Talmud recognizes as a distinction between work and play that renders a game unfit for the Sabbath.
Not everyone is fortunate enough to earn their living playing. But what draws people to art and artists is a desire to enjoy the propinquity of play. For it is the very freedom of the imagination. And what else were we born to do, but imagine freely?
Sometimes we forget that if we do not encourage new work now, we will lose all touch with the work of the past we claim to love. If art is not living in a continuous present, it is living in a museum, only those working now can complete the circuit between the past, present and future energies we call art.
To know how to grow old is the master work of wisdom, and one of the most difficult chapters in the great art of living.
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