A Quote by Luanne Rice
While novels are fiction, mine are usually very close to my heart. Like my other books, 'The Lemon Orchard' is inspired by something I care about. I care so deeply. The stories are my dreams, and I want to do a lot of research. Roberto is based on a real live friend of mine named Armando who worked in my garden.
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All my books are made up of other books. They're all deeply structured on other fiction, because I was a student in fiction and I didn't have much actual living to draw on. I suspect a lot of other people's novels are like that, too, though they might be slower to talk about it.
We only do what we think is good and what we're happy with. I do that in stand-up, I even do it with my children's books. I don't do market research, I don't have focus groups, I don't care. I don't care if it fails, honestly. I'd rather have something that's completely mine fail than something succeed that I'm not proud of.
Today I'm committed to take care of your families like I've taken care of mine. I want to make Mexico the best country to live in.
Writing fiction is very different to writing non-fiction. I love writing novels, but on history books, like my biographies of Stalin or Catherine the Great or Jerusalem, I spend endless hours doing vast amounts of research. But it ends up being based on the same principle as all writing about people: and that is curiosity!
It's weird how people were always asking us, 'Are you real? Are you joking?' That seems like something Americans care about a lot. You can't answer the question 'Are you real?' If we're anything, we're documentary fiction.
When there's something that impacts a family member or friend, that is difficult for them, you want to do what you can to help. Sometimes you can't do anything and it makes you feel like you're helpless, so those emotions cross a big barometer, but they're a big, broad stroke when it comes to someone who you care about. If you have compassion in your heart, you just care.
I often use detective elements in my books. I love detective novels. But I also think science fiction and detective stories are very close and friendly genres, which shows in the books by Isaac Asimov, John Brunner, and Glen Cook. However, whilst even a tiny drop of science fiction may harm a detective story, a little detective element benefits science fiction. Such a strange puzzle.
If I like hardcore straight-edge punk music, gentle psychedelic folk music, gangster rap, indie-rock with a lot of guitar pedals, and I find inspiration from all these things in different songs of mine, shouldn't I be allowed to make any of this kind of music that I want? And it's the same for the comic books, why should I only make autobiographical stories? Or only political stories? Or only superhero stories? Or only comedy stories? I am a bit creatively desperate, when I sit with a pen and paper I am desperate for ANY idea that makes me excited, I don't care what kind of idea it is!
I find it interesting that authors of fantasy and science fiction novels are rarely asked if their books are based on their personal experiences, because all writing is based on personal experience. I may not have gone on an epic quest through a haunted forest, but the feelings in my books are often based on feelings I've had. Real-life events, in fantasy and science fiction, can take on metaphorical significance that they can't in a so-called realistic novel.
I care about a lot of issues. I care about libraries, I care about healthcare, I care about homelessness and unemployment. I care about net neutrality and the steady erosion of our liberties both online and off. I care about the rich/poor divide and the rise of corporate business.
A friend of mine had this idea a few years ago. We thought it would be a great way to promote the sport and to put polo in front of a lot more people in an unexpected place: the romance novel. There's a lot of people that care about those kinds of stories, especially women, and it would help people to know what the polo life is all about. It's not just what you see in the newspapers or on Pretty Woman. There's a lot more to it: the time spent in the barn, how much we love the horses, the relationship with the horses and with the family, etc.
...with each new book of mine I have always the feeling that this time I have picked a lemon in the garden of literature.
If something rad is going on and it has to do with film, I want to be there. If it's getting coffee, I don't care. It's a passion of mine.
A very dear friend of mine great actress named Wendy Rich Stetson was very active in the theater department at Amherst and I went to all the plays she was in, and it became very clear to me that what she was doing was something I wanted to be doing.
Do you like him? Ty asked. "Not that I care." "I do," I said, because it was true. Even though it didn't matter anymore. "Not that I care you don't care. Though you clearly do care, and I don't care about that either." "Well, I don't care that you don't care that I don't care. In fact i'm glad. Because, um, if I were seeming someone that I liked, I'd want you to be happy for me.""Are you seeing someone?" I asked, pretty sure he wasn't. "Not that I care.
I had never thought of hosting, but a really good friend of mine said, 'This is the most empowered platform to speak to young people about the issues that you care about, which is why you're in this in the first place.' So I was like, 'Yeah, no, it makes perfect sense.' And so that's what I started doing.
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