A Quote by Luciano Pavarotti

I think an important quality that I have is that if you turn on the radio and hear somebody sing, you know it's me. You don't confuse my voice with another voice. — © Luciano Pavarotti
I think an important quality that I have is that if you turn on the radio and hear somebody sing, you know it's me. You don't confuse my voice with another voice.
The one radio voice that I listened to above others belonged to Ella Fitzgerald. There was a quality to her voice that fascinated me, and I'd sing along with her, trying to catch the subtle ways she shaded her voice, the casual yet clean way she sang the words.
You are born with a voice. And in a way, you don't choose what you want to sing. It's the quality of your voice that matches a certain repertoire, and that's what you're going to sing.
Nowadays, people in the entertainment industry can have a louder voice than politicians, and I think its important that they use that voice to say something positive or to give a voice to somebody thats had theirs taken away.
Nowadays, people in the entertainment industry can have a louder voice than politicians, and I think it's important that they use that voice to say something positive or to give a voice to somebody that's had theirs taken away.
I'll meet listeners who tell me what a great voice I have. But I don't have a great voice for radio. My voice is the utterly normal voice, but sheer repetition has made them think it's OK. Mick Jagger once was asked, 'What makes a hit song? He said, 'Repetition.'
The voice is certainly important and you can hear if it's beautiful or not, it's the gods who decide; it's more a question of what you do with the voice, which is the mysterious element. It's the personality behind the voice which makes the artist. The voice is a gift of God, but if you're not able to use this gift, what's left? Nothing but a beautiful voice, without nuance or color.
But what I would like to say is that the spiritual life is a life in which you gradually learn to listen to a voice that says something else, that says, "You are the beloved and on you my favour rests."... I want you to hear that voice. It is not a very loud voice because it is an intimate voice. It comes from a very deep place. It is soft and gentle. I want you to gradually hear that voice. We both have to hear that voice and to claim for ourselves that that voice speaks the truth, our truth. It tells us who we are.
When I read, I hear what's on the page. I don't know whose voice it is, but some voice is reading to me, and when I write my own stories, I hear it, too.
I've auditioned for animation stuff for a long time; that's a tough field to crack into. I don't think I have the strongest voice. I don't have a theater-trained voice or a radio voice, but I think I make good character choices.
I know what it was like to not have a voice, so my daughter has a voice. I veto that voice when needed because at the end of the day I am the grown-up, but I hear her.
To turn the radio on and hear so much more diversity, it's so refreshing. That voice that cuts through what you've been hearing, it's inspiring.
I think that if my voice for some reason changes - because your voice does change - then it's time for me not to sing.
I actually had a bunch of songs that I worked on with Jamey Jasta from Hatebreed, but they were too heavy for me because my voice sounds good when I sing clean. It sounds good dirty too, but when I hear my voice sing really clean, that's a special sound.
There are times when the voice of repining is completely drowned out by various louder voices: the voice of government, the voice of taste, the voice of celebrity, the voice of the real world, the voice of fear and force, the voice of gossip.
If you can sing, you never lose your voice. If you don't know how to sing, your voice goes away because you sing from your throat.
I hear so many of the young people today sing and I think they have a good voice, yet I wonder if they'll ever know that they sound alike.
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