A Quote by Lucy Boynton

'Sing Street' was the first time I'd worked so collaboratively. — © Lucy Boynton
'Sing Street' was the first time I'd worked so collaboratively.
I know that Madonna is not a first-time filmmaker, but I have worked with a lot of first time filmmakers and I have worked with a lot of inexperienced film directors so that never has particularly worried me - I find it quite exciting - but I have never worked with a director who has had so little experience of directing who was so prepared.
I worked on the line, I've been an executive chef, I've worked for the Mets, I've worked for various steakhouses, vegetarian restaurants, a lot of Middle Eastern stuff. I've worked my fair share of a lot of different things. I've worked at festivals and street fairs, you know? I've been through it all.
The musicians recommend that I sing a sing the way it is written the first time and then start to look for other notes that aren't in the melody.
I'm actually a lowlife. On the street at fifteen and also in jail for the first time at that age, and off and on the street until my mid-twenties.
The first time I read a crime novel - I think it may have been an Elmore Leonard book - it took some time for me to realise how the genre worked. There were about 20 characters on the first page, and I wasn't used to this. I started to enjoy it when I saw that was how crime books worked.
I love working with people I've worked with before and that can be true of when people have worked together. But if two people have a natural chemistry and it just works, to be there for the first time, particularly on a story where it's about these two people meeting for the first time, that goes a long way.
Every show is a mess at its first preview. No one's had enough time to rehearse in costumes, traffic patterns backstage haven't been worked out, machinery weighing thousands of pounds is being operated for the first time. And, also, it's the first time all the material you've written is before the public.
I got to sing solo in the junior choir when I was 10 or 11 and won a competition, and my sister's piano playing improved to a certain level. One time my sister and I worked together. The first song we ever sang in High School was Rags to Riches by Tony Bennett.
Growing up, I can remember singing along with my ma all of the time. I wouldn't say she necessarily 'taught' me how to sing, but she was definitely the first person to inspire me to sing and the first to intrigue me vocally. I've always had a natural ear for music, though.
Other than the 'Sesame Street' soundtrack, which I was obsessed with, the first artist I really felt I'd discovered on my own was Amy Winehouse. She was the first female artist I wanted to write like and sing like and be like.
I will sing whatever I'm given to sing. Growing up, I would sing anything that I was given. If the choir needed a first tenor, I would sing first tenor. If they needed a bass, I would sing bass. Throughout my life, I just figured out ways to hit notes I needed to hit.
There's an interesting story around that ["Heaven Without a Gun"], because the girl I was dating at the time got into a bike accident and couldn't make it into the studio, and the gentleman Dave Hamlin who worked on this record along with Ohad sort of took it, rearranged it. Dave went and sonically changed it and changed the keys so that Andy could sing it better. All these pieces came together that suddenly displayed that the song was meant for Andy [Kim] to sing. And he always said, "I'll never understand it, but I'll sing it with all my heart."
'Roxbury Drive' was the street I grew up on as a little kid, and it was the street that I first listened to records on, and where I actually really first fell in love with music.
I sing your restless longing for the statue, your fear of the feelings that await you in the street. I sing the small sea siren who sings to you, riding her bicycle of corals and conches. But above all I sing a common thought that joins us in the dark and golden hours. The light that blinds our eyes is not art. Rather it is love, friendship, crossed swords.
The first time I met Brando was on a street corner. I was 14. He was walking down the street, and I saw him coming, and I thought, 'It's Marlon Brando.' And he was wearing what turned out to be his outfit from 'On the Waterfront,' because he was shooting.
I had a hard time with that hockey. I hadn't grown up skating, so that was my biggest challenge. We worked on it and worked on it. But then when we first shot it, it was so hard for me.
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