A Quote by Lucy DeVito

I've felt very comfortable on stage and love making people laugh. It's that kind of addictive thing where you get a laugh and you just want more. — © Lucy DeVito
I've felt very comfortable on stage and love making people laugh. It's that kind of addictive thing where you get a laugh and you just want more.
I always knew I wanted to do comedy. I like making people laugh. I started out young just making my family laugh and trying to make kids laugh in school and getting into plays. I think it's the only thing I know how to do so hopefully it works out.
David Zucker was great! Those guys are funny. I mean, they are funny. There's a wonderful thing about doing that kind of work like Superhero Movie: You have to be real, but you also have to get the laugh. There you are, your director and the producers are right there at the monitors, and you either get the laugh or you don't. And so you just do it until you get the laugh.
Dogs laugh, but they laugh with their tails. And a tail is an awkward thing to laugh with, as you can see by the way they bend themselves half double in extreme hilarity trying to get that rear-end exuberance forward into the main scene of action. What puts man on a higher stage of evolution is that he has got his laugh on the right end.
My brother was a great audience, and if he liked the picture, he would laugh and laugh and laugh, and he would want to keep the picture. Making people laugh with an image I had created... what power that was!
With me being in so many pain from when you have a betrayal from your best friend - who was my husband - and the girl got pregnant, I couldn't even get out of bed. The only thing that saved me was my stand-up. I would get on stage and just talk about stuff, and I made people laugh. A lot of women e-mail me and say, 'How do you smile? How do you laugh at something like this?' That's how I do it. I laugh because that's how I get through pain.
I'm always very fearful when academics get ahold of comedy. Comedy is such a clear thing - people laugh, or they don't laugh. It's involuntary. I'm not saying it can't be scrutinized, it's just that they take the enjoyment out of it.
We have a curious relationship with 'funny' in the U.K. We love to laugh, but we also think that making people laugh is just a little bit second-tier, especially in a literary context.
I would get my laugh insured! Because my laugh is very important: it's a million dollar laugh, so if my vocal chords make my laugh any different, then I'm going to have to get insured.
I have noticed that in plays where the characters on stage laugh a great deal, the people out front laugh very little.
"I've found out why people laugh. They laugh because it hurts so much... because it's the only thing that'll make it stop hurting" ... "But that's not all people laugh at." "Isn't it? Perhaps I don't grok all its fullness yet. But find me something that really makes you laugh sweetheart... a joke, or anything else- but something that gave you a a real belly laugh, not a smile. Then we'll see if there isn't a wrongness wasn't there." He thought. "I grok when apes learn to laugh, they'll be people."
When you make a film, you're creating the illusion of a natural experience. But everything is created on purpose. If I want you to be scared, I'm trying to scare you. If I want you to cry, I'm trying to make you sad. If I want you to laugh, I'm trying make you laugh. So, how I get you there is what makes it interesting, because I also want it to feel seamless, and not forced. That kind of constant experimentation is just fun to explore, and I love it.
I love doing [stand-up]. I love making people laugh no matter how. Whether it's a commercial, or a TV show, or a reality show, or a talk show, or a special, or a book. However I can make people laugh, that's what I want to do.
I feel really comfortable with going for the reality of the drama, but I'm not much for the comedy of it. You have to make people laugh, or you have to be true to the character in such a way that makes people laugh. It's a whole different thing.
My parents always got a kick out of my art. I was always able to make them laugh. As I got older, I remember the thrill I got when I graduated from making my classmates laugh to making adults laugh. Kind of a watershed moment.
When I'm on stage, and when I'm comfortable or uncomfortable, I have sort of a knee-jerk reaction to try to make people laugh. It's my version of a handshake to show that I want to make a connection and to show what I'm truly like. It's kind of my statement like, "This is what I'm really like. I'd like you to love me."
I just may laugh at different things than most people. I laugh at mistakes. I laugh at how you recover from mistakes. I see when people go off their material and it's actually happening in front of you and that kind of stuff excites me.
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