A Quote by Lucy Hale

I'd love to go to fashion week! I'm learning more about designers, thanks to 'Pretty Little Liars'' costume designer, Mandi Line. — © Lucy Hale
I'd love to go to fashion week! I'm learning more about designers, thanks to 'Pretty Little Liars'' costume designer, Mandi Line.
I'd love to go to fashion week! I'm learning more about designers, thanks to 'Pretty Little Liars' costume designer, Mandi Line.
I enjoyed studying costume, learning about the corsetry and the historical context of fashion. I never had any real intention of being a costume designer.
I graduated from Academy of Fashion and Costume Design in Rome. At first, I thought I was going to be a costume designer for films, and then I ended up working in fashion - not as a designer, but mostly as a model.
Fashion designing involves a lot of work, and, as opposed to the general perception, it is different from costume designing for films. While a fashion designer can take up a costume designer's role, it is not possible vice versa.
My plan was to model and pay the rent and then intern with designers and work on the other side of the industry however I could, but then it just got to be too much, especially with casting, fashion week, and also working for a fashion designer.
What's important to a fashion designer? It's much more than learning how to make clothes. In fact, that merely makes you a dressmaker. It doesn't make you into a fashion designer.
I'm a fashion designer. What I do is artistic, but I'm not an artist because everything I do is destined to be sold. That's not to say that you can't be an artist and a fashion designer. I think some designers are artists.
I'm honored and thankful to be partnering with the prestigious CFDA as one of the men's wear ambassadors for fashion week. My interest in fashion is only matched by my love for music, and I'm blessed to be given an opportunity to learn about some of my favorite designers from a firsthand look at their latest collections.
Halloween is all about being bold, daring, and creative! You get to be someone else for the night thanks to makeup and a costume. I pretty much do that on the daily, so I am not that big on Halloween, but I do appreciate a good costume and some incredible makeup.
Screenwriting you don't necessarily have to do the job of the costume designer and the prop master and the set designer. It's more just about finding the visuals and finding these characters through dialogue.
I'm a costume designer. My career is not in fashion, a field I'm basically unfamiliar with.
Yes, I love going to fittings and talking about the history of a costume. For 'Versailles,' a play set in 1919, the costume designer told me that pocket squares had just been introduced. The tango was becoming fashionable in London, and dancers used them to mop their brows. I love to learn fascinating stuff like that.
Some designers are so airy-fairy people can't connect with them. I hope people can relate to me, to a normal person who just happens to be a fashion designer, that people can take me as they find me. It's not the designer's job to care about what people think. Whatever else I've done, I've never tried to be something that I'm not.
I have been interested in fashion since I was a kid. Then I lived in London, where it was more about costume and a personal statement of who you are than about fashion.
I think it's cool that London Fashion Week is about young designers trying wacky things.
I make films but I am trained as a designer. I come from this series of designers called critical designers, speculative designers.
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