A Quote by Lucy Worsley
Britain can claim to lead the world in murder because it was a country that industrialized early. Other countries, going through the same process later, caught up and produced their own genres of detective fiction.
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I often use detective elements in my books. I love detective novels. But I also think science fiction and detective stories are very close and friendly genres, which shows in the books by Isaac Asimov, John Brunner, and Glen Cook. However, whilst even a tiny drop of science fiction may harm a detective story, a little detective element benefits science fiction. Such a strange puzzle.
We stole countries with the cunning use of flags. Just sail around the world and stick a flag in. "I claim India for Britain!" They're going "You can't claim us, we live here! Five hundred million of us!" "Do you have a flag …? "No..." "Well, if you don't have a flag, then you can't have a country. Those are the rules... that I just made up!
Latinos come from different countries, and they tend to segregate with only their country instead of embracing all the other countries, because in reality, all the Latinos are going through the same experiences of discrimination and racism.
Traditional murder mysteries are interesting because they're ostensibly about a horrible thing - murder - but underneath that, they're about restoring order to a messed-up world. By the end of a whodunit, the detective has taken the reader through all the reasons why this terrible thing happened. Through that explanation, and by seeing the killer captured, the reader feels a sense of catharsis.
If you lead a country like Britain, a strong country, a country which has taken a lead in world affairs in good times and in bad, a country that is always reliable, then you have to have a touch of iron about you.
In developing countries the situation could be even worse because developing countries do not have to count their emissions under the Kyoto Protocol. Private companies from industrialized nations will seek cheap carbon credits for their country in the developing world.
Our jobs are fleeing the country. They're going to Mexico. They're going to many other countries. You look at what China is doing to our country in terms of making our product. They're devaluing their currency, and there's nobody in our government to fight them. And we have a very good fight. And we have a winning fight. Because they're using our country as a piggy bank to rebuild China, and many other countries are doing the same thing.
[Michael] Chabon is arguing in favor of what is at the same time an old-fashioned and very forward-thinking opening up - of taking off the class associations with those labels, because we grew up, or I certainly grew up, feeling that, "Oh, there's literary fiction, and beneath that, there's these other things." He's actually saying that they're all of equal merit, and in many cases, that work in the genres, or work that draws from the genres is more entertaining for readers, since it is our job to entertain people.
I wrote my first real murder story as a journalist for the Daytona Beach News Journal in 1980. It was about a body found in the woods. Later, the murder was linked to a serial killer who was later caught and executed for his crimes.
My experience of life is that it is not divided up into genres; it’s a horrifying, romantic, tragic, comical, science-fiction cowboy detective novel. You know, with a bit of pornography if you're lucky.
Industrialized countries have disproportionately more cancers than countries with little or no industry (after adjusting for age and population size). One half of all the world's cancers occur in people living in industrialized countries, even though we are only one-fifth of the world's population. Closely tracking industrialization are breast cancer rates, which are highest in North America and northern Europe, intermediate in southern Europe and Latin America, and lowest in Asia and Africa.
It was only later that I suffocated under the weight of his arguments, and his darker thoughts articulated. It was only later that our tongues produced landslides, that we become caught in the cracks between what we said and what we meant, until we could not find each other, did not trust the words in our own mouths.
I'm now much more excited about genre distinctions. What I still see breaking down are more the hierarchical arrangements of genres. That is, "There is literary fiction, and then there are lesser genres." I'm much more clear on the idea that literary fiction is itself a genre. It is not above other genres. It is down there in the muck with all the other genres, and it's doing the wonderful things that it does, but to give it a Y-axis, to make it high and low, just seems absurd. I stand by that.
I feel that non-violence is really the only way that we can follow because violence is just so self-defeating. A riot ends up creating many more problems for the negro community than it solved. We can through violence burn down a building, but you can't establish justice. You can murder a murderer, but you can't murder murder through violence. You can murder a hater, but you can't murder hate. And what we're trying to get rid of is hate, injustice, and all of these other things that continue the long night of man's inhumanity to man.
Africa is going through its own historical process of state formation just as Europe and America did. It is just happening much later than other continents because of the interruption of Africa's own historical development by the colonization of Africa by Europe.
The fiction I've written and published is certainly inflected by the work of authors I was reading or translating at the time. One of my methods for developing my own voice in fiction, a process I am taking very slowly and deliberately, is through these very intense encounters with certain writers. Strength and power in fiction is being able to resist these intoxicating voices, recognizing that they are the signatures of other writers and not one's own.
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