A Quote by Ludivine Sagnier

It's impossible to explain to people who you are in a five-minute interview on TV. — © Ludivine Sagnier
It's impossible to explain to people who you are in a five-minute interview on TV.
The number one problem companies have during the Y Combinator interview is that a minute into the interview, we don't know what they do. It's the same problem with the application. You might think we're experts, but you still have to explain it to us.
My first media interview was when I was a high school freshman and I was set to compete at state champs. The interview was the first occasion people had heard me on TV. When I watched back the recording on TV, I thought, 'Wow, is that what I sound like?' I didn't like the sound of my voice.
People have been trained to believe that comedy is the five- and 10-minute segments that you see on TV. But in 10 minutes, you can't really talk about yourself.
I like getting to the meat of things. You can't get it in a five-minute interview. I like to hone a person. I like to make eye contact.
The Holy Bible is an abyss. It is impossible to explain how profound it is, impossible to explain how simple it is.
It's not, like, how long you are on the screen, 'Karwaan' being the biggest the example. I may have had a five-minute role, but I know the appreciation that I got was a lot more than a five-minute role deserved probably.
I do not believe that I have had an interview with anybody in twenty-five years in which the person to whom I was talking was not annoyed during the early part of the interview by my asking stupid questions.
In my mind, I am extraordinarily handy. But what that means is when I attempt to fix something, there's usually a five-minute period of experimentation, followed by a five-minute period of frustration, followed by a frantic phone call to a professional.
With TV, you just have to finish the days and get the episodes out. And it's always going to be an impossible schedule. That's the funny thing with TV that not a lot of people realize.
In terms of comedy, I never did five-minute sets or clubs or anything. I just started doing shows. Coming from that theater background, it never crossed my mind that I should start doing five-minute sets.
If you interview five people about the same incident, and you see five different points of view, it makes you know what makes history so complicated. Something doesn't just occur. It's not like a scientific event. It's a human event. So the dimensions of it will be seen differently by different people.
I think it is impossible to explain faith. It is like trying to explain air, which one cannot do by dividing it into its component parts and labeling them scientifically. It must be breathed to be understood.
The terrible thing in England is if you interview a thousand people, five hundred of them will talk like they're going into a Guy Ritchie movie and the other five hundred will be Mr. Darcy. So we had to find cool, working class kids with no profile who could be John Travolta and James Dean and people like that.
Sometimes I'll do five minutes of skipping at the start of the day - one minute on and one minute off, and it's great, it really wakes up the system.
The crazy thing is, I sent out 200 letters and I got one job interview, and I actually got that job, which was working as a development assistant at Joel Silver's company. I always say that to people when they ask "What do I do?" and I'm like, "Look, I didn't get ten responses, and I didn't get five interviews, but I got one interview, and I got the job," and that was all I needed.
Because TV is mostly close up, it has to be fast. And because it has to be fast, you don't have time to explain completely, by a sequence shot, what's happening between people. So instead of experiencing what's happening, say, when a couple is dancing, dialogue is used to explain.
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