A Quote by Luis Fonsi

'Despacito' started with a melody hook that I had with my guitar only. The beat for this track came after I wrote the lyrics, which I wrote as if I was writing a ballad. — © Luis Fonsi
'Despacito' started with a melody hook that I had with my guitar only. The beat for this track came after I wrote the lyrics, which I wrote as if I was writing a ballad.
Within Klaxons, I never wrote the lyrics. I always wrote the melody and music with the other guys.
I wrote 'Despacito' with my guitar, but where you can tweak a lot is in the production.
'Teenage Dream' was the most difficult song I've ever been a part of. We wrote five different versions of it. We couldn't get the lyrics right. Max Martin and Dr. Luke wrote most of the melody, and then Katy Perry and I were responsible for getting the lyrics right.
In the immediate aftermath of the separation I just wrote and wrote and wrote. And wrote and wrote and wrote. Thank God I had that as an outlet.
When I started writing material, I realised you could take a ballad like Usher's 'Nice and Slow,' sing the same melody over a garage track, and everyone would be up and dancing.
[Opetaia Foa'i] brought in the melody and the lyrics, but the lyrics were in Tokelauan, and so, we talked about what it could mean and whether this could be the ancestor song. So, I started writing English lyrics to sort of the same melody.
I usually start with a guitar riff or some little pattern of chords, and then I kind of go from there. Usually my lyrics are the last thing to go onto a song. For years and years I only ever did instrumental, so I'm still trying to get confidant with my lyrics and find the right balance. I'll generally get inspired from the music. I'll have a guitar line, and then I'll have a melody line, and I hook the lyrics up to fit that rhythm. So, my lyrics to tend be very rhythmic as well. They work with the music rather than the music works around them.
Right when I moved to L.A., I started writing. I wrote some screenplay. I'm sure it's terrible. But I wrote a screenplay by myself. When I first moved to L.A., I had no friends. I didn't know anybody. I just sat in a little studio apartment, and I wrote a screenplay.
I always wrote as a vehicle for expression but did not try writing for publication until my mid-thirties, at which time I started writing for magazines. I wrote essays and then short stories, then moved into novels.
Before we started writing we did feel pressure because of the success of the first record. One of the first songs that we wrote was "Out Of My Heart" which is the first single. As soon as we wrote that, we knew we just set the standard and every other song had to be as good if not better.
I was writing all my childhood. And I wrote two novels when I was 17, which were terrible. And I'm not sorry I threw them out. So, I wrote. I had to write. You know, the thing was, I had no education.
I love melody, and that's what I love about pop music. The words can become what they are through a special melody. I learned to play guitar by myself, and writing songs came with playing guitar, so the writing isn't one part and the music something else.
The first set of lyrics for the first songs I ever wrote, which are the ones on 'Pretty Hate Machine,' came from private journal entries that I realized I was writing in lyric form.
'Despacito' was a song that, from the time I started writing it, I felt that its hook was really catchy and powerful but at the same time very simple.
I approach song writing three different ways. One way is where I write the initial melody and lyrics first and then take it in to the producer to collaborate. Another way is where the producer sends me his initial musical track ideas and then I write the lyrics and melody over his track. The third way is where we just jam out in the studio and see what we come up with.
When I wrote for myself before as an artist, I probably wrote about 15, 20 songs a year. I thought that was a lot. Then, when I first started writing for the people, I wrote, like, 65 songs in a year for two years in a row.
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