A Quote by Luke Roberts
It's nice to sort of walk in and at least create the illusion that you are, or your character is, a well-rounded human being, a complete person. Especially when you're playing these impressive, high-functioning professionals. You feel like you have to come in sort of guns blazing.
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If you're playing a fictional character, you can create a character, you can sort of take certain liberties. And when you're playing a real person who's actually standing there watching you, you know, it's - you do feel a weight. You know, you feel an obligation to not only be - to give the best performance that you can, but to make sure that you represent this person.
One was born a certain sort of person, and though by ceasless struggle one might become as nice as that sort of person ever is, one could never become as nice as a nicer sort of person.
I feel like theater in high school seems to be sort of like the safe haven for the outsiders and people who don't necessarily fit in. And it was a come-as-you-are sort of class, and it's a come-as-you-are after-school activity.
Thank God I've never had the sort of intense fame that means you can't walk up the road. That sort of blazing stardom must be difficult to cope with and maintain; my career has just bubbled along happily.
I kind of feel like I have grown as just like a human being as a human being by being able to adapt and adjust and know that like you can't ever rest on your laurels, you have to sort of wake up; you actually have to be present.
The thing is, even if you're playing sort of a heightened character and playing inside sort of a heightened reality, you can still apply your own truths to those characters.
When you're in the head of the character, you feel less self-conscious. If I was just being me, I would feel so exposed and be like, 'Why is there a huge camera in my face?' But, when you're believing in the person that you're playing, you feel protected. It's about being true to that person you're playing.
Playing a character is an illusion, and I feel that when you know too much about a person, possibly part of that illusion is disrupted.
In high school I went to the Los Angeles County High School for the Arts. And this is like Fame. It's like that sort of prototypical, dancers in the hallway, theater students, musical students, art geeks. And it was a kindergarten in the truest sense of the world: a children's garden where I was able to sort of really come into myself as an artist, as a person, sexuality issues - like, all of this became something where there was a firming-up and a knowing that went on.
I sort of fell in love with it when I was in high school doing theater. And so, as sometimes happens when kids - they graduate high school, and people turn to them and say, 'So what are you going to do with your life?' I thought, 'Well, I like being onstage. I like being an actor.'
When you approach it, and I hate sounding like the pretentious actor, but yeah, I think you have to find things within the character that are likeable, or at least human, and not to go at it with any sort of predetermined notions as to what that character is.
After 'Prom Night' I did two movies where I was playing a prostitute. I gravitate towards characters that have some sort of inner turmoil or some sort of character arc. That's the great thing about acting, so many different things and being really diverse in your choices.
Sometimes you'll see people give performances in comedy with an ironic detachment where they'll sort of be remarking on the character from outside of it. They're sort of commenting as they're playing the character. I think it's hard not to do that. I've certainly done that.
There are certain people who do not feel like they were raised by wolves, and they are the ones who make the world tick. They are the ones who keep everything functioning so the rest of us can worry about what sort of person we should be.
I always at least try to come from some sort of human place no matter how ridiculous the character is. That's really awesome. That is more the work that I'm leaning towards doing.
Any character that you come up with or create is a piece of you. You're putting yourself into that character, but there's the guise of the character. So there's a certain amount of safety in the character, where you feel more safe being the character than you do being just you
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