A Quote by Lyn Gardner
Improv Everywhere tramples the lines drawn between spectacle and spectator, theatre and real life, public and private, performance and protest, and reclaims the streets for ordinary people.
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For decades, the journalistic norm had been that the private lives of public officials remained private unless that life impinged on public performance.
Cinema through spectacle, through the entertainment of spectacle, tells the story of many actual problems in life. Because who ever doesn't want to read between the lines can just enjoy the entertainment and the show and can go home happy.
To be a performance artist, you have to hate theatre. Theatre is fake... The knife is not real, the blood is not real, and the emotions are not real. Performance is just the opposite: the knife is real, the blood is real, and the emotions are real.
I was completely unprepared for the public spectacle my private life became, and didn't like it a bit.
I am a public person and I have my private life. It's important for me that my private life stay private, that what I share with the people is my public personality.
Theatre is a concentrate of life as normal. Theatre is a purified version of real life, an extraction, an essence of human behaviour that is stranger and more tragic and more perfect than everything that is ordinary about me and you.
I am for a clear distinction between public and private life. I believe private matters should be regulated in private and I have asked those close to me to respect this.
Until we have a better relationship between private performance and the public truth, as was demonstrated with Watergate, we as the public are absolutely right to remain suspicious, contemptuous even, of the secrecy and the misinformation which is the digest of our news.
The distinction between private and public undermines the unity of spiritual strength, draining the public of the transcendent energies while trivializing them because the merely private life provides no proper stage for their action.
I am not drawn to the fairytale kind of love. I am drawn to the real-life experiences between a woman and a man. I try to sing about the way it is, but yet at the same time, what you can hope for between a couple.
The only time the private parts of someone's life are relevant is when they're affecting public performance. And just because someone is a public person doesn't mean that any part of his or her private life is open to scrutiny. If someone is doing his or her job, you have to have enough empathy to understand that we all have personal problems.
Public virtue cannot exist in a nation without private, and public virtue is the only foundation of republics. There must be a positive passion for the public good, the public interest, honour, power and glory, established in the minds of the people, or there can be no republican government, nor any real liberty: and this public passion must be superiour to all private passions.
When I think about protest, I worry so much that people think about it only as standing in the streets. And I say that as someone who has been standing in the streets of cities across the country - but at the root of it is this idea of telling the truth in public.
Practice your improv more than learn your lines. 'Cause there's no way you'll be able to learn all those lines in a short time. You have to realize what you know and what you don't know - and what you don't know, just come up with three alternate lines or improv that you can put in that spot.
In the end, it is because the media are driven by the power and wealth of private individuals that they turn private lives into public spectacles. If every private life is now potentially public property, it is because private property has undermined public responsibility.
From the viewpoint of economic democracy, the capitalism-socialism debate was a debate between private and state capitalism (i.e., the private or public employment system), and the debate was as misframed as would be a debate between the private or public ownership of slaves.
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